Daily Dead
Q&A: Composer Patric Caird on Creating the Atmospheric Music for Season 1 of Netflix’s THE ORDER
2019/05/14 17:39:49 +00:00 | Derek Anderson
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It Came From The Tube: PAPER MAN (1971)
2019/05/12 16:50:29 +00:00 | Scott Drebit
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Drive-In Dust Offs: TWITCH OF THE DEATH NERVE aka A BAY OF BLOOD (1971)
2019/05/11 15:42:37 +00:00 | Scott Drebit
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Review Round-Up: CHARLIE SAYS, STARFISH, and IN MEMORY OF
2019/05/10 22:20:16 +00:00 | Heather Wixson
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Review: STRAWBERRY FLAVORED PLASTIC is a Unique and Unexpected Genre Film
2019/05/09 19:33:01 +00:00 | Monte Yazzie
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Drive-In Dust Offs: DOLLS (1987)
2019/05/04 15:31:25 +00:00 | Scott Drebit
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Q&A with DAYS GONE Composer Nathan Whitehead
2019/05/02 19:14:16 +00:00 | Derek Anderson
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Review: THE INTRUDER Features Dennis Quaid’s Most Wonderfully Weird Performance to Date
2019/05/02 04:00:20 +00:00 | Heather Wixson
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Tribeca 2019 Interview: Director Ant Timpson and Elijah Wood on COME TO DADDY
2019/05/01 19:51:50 +00:00 | Heather Wixson
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Catalog From The Beyond: William Peter Blatty’s THE NINTH CONFIGURATION (1980)
2019/05/01 17:30:36 +00:00 | Bryan Christopher
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Video Interview: Michael Ealy and Meagan Good on Their Characters and How Audiences Aren’t Ready for Dennis Quaid in THE INTRUDER
2019/04/30 22:05:16 +00:00 | Heather Wixson
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Review: I’LL TAKE YOUR DEAD is a Gem of a Genre Mash-Up
2019/04/30 21:16:34 +00:00 | Patrick Bromley
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Q&A: Author Cooper S. Beckett on Creating Compelling & Believable Characters in New Supernatural Novel OSGOOD AS GONE
2019/04/30 19:30:44 +00:00 | Derek Anderson
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Review: THE CONVENT is a Familiar Yet Foreboding Demonic Horror Film
2019/04/30 18:30:31 +00:00 | Bryan Christopher
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Video Interview: Director Deon Taylor on the Timeliness and Relatability of THE INTRUDER and How Dennis Quaid Left it All on the Screen
2019/04/29 22:54:19 +00:00 | Heather Wixson
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