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Interview: Robert D. Krzykowski on Working with Sam Elliott and the Long Journey of THE MAN WHO KILLED HITLER AND THEN THE BIGFOOT
2019/02/05
18:18:14 +00:00
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Heather Wixson
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Review: HORROR NOIRE is an Entertaining and Essential Examination of Black History & Black Horror
2019/02/04
22:51:03 +00:00
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Heather Wixson
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Interview: Director Nicholas McCarthy on Taking THE PRODIGY to Some Dark Places and Working with His Talented Ensemble
2019/02/04
21:05:39 +00:00
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Heather Wixson
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Sundance 2019 Interview: Co-Stars Clara Rugaard and Hilary Swank Talk I AM MOTHER
2019/02/04
19:11:56 +00:00
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Heather Wixson
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Drive-In Dust Offs: HORROR HIGH (1973)
2019/02/02
17:15:34 +00:00
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Scott Drebit
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Women in Horror Month 2019: 45 Female-Directed Horror Movies & Where You Can Stream Them
2019/02/01
18:36:33 +00:00
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Heather Wixson
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Sundance 2019 Interview: Babak Anvari on Returning to Sundance with WOUNDS and the Appeal of Psychological Horror
2019/02/01
01:41:52 +00:00
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Heather Wixson
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February 2019 VOD & Digital Releases Include ANNA AND THE APOCALYPSE, OVERLORD, PIERCING
2019/01/31
23:30:00 +00:00
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Heather Wixson
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Creepy Calls: The Telephone in Horror Films
2019/01/31
20:37:54 +00:00
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Christopher Lombardo
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Catalog From The Beyond: BLACK SABBATH (1963)
2019/01/30
21:45:56 +00:00
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Bryan Christopher
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Sundance 2019 Review: Lupita Nyong’o Shines as Zombie-Fighting Badass in LITTLE MONSTERS
2019/01/30
17:28:56 +00:00
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Heather Wixson
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Sundance 2019 Review: I AM MOTHER is a Thoughtful Examination of the Human Condition and the Dangers of Technology
2019/01/30
00:26:43 +00:00
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Heather Wixson
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Review: THE GOLEM is Like Nothing Else on the Modern Genre Landscape
2019/01/29
23:12:20 +00:00
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Patrick Bromley
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Celebrating Makeup Artist Extraordinaire Matt Rose
2019/01/28
03:13:13 +00:00
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Heather Wixson
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Sundance 2019 Review: EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE
2019/01/27
22:14:56 +00:00
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Heather Wixson
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