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Practical-ly Perfect: Celebrating Todd Masters’ Ambitious Special Effects in SLITHER (2006)
2018/05/17 23:15:03 +00:00 | Heather Wixson
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6 Times Ryan Reynolds Killed It in a Genre Movie
2018/05/16 22:56:07 +00:00 | Heather Wixson
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MASTERS OF HORROR Rewatch: Joe Dante’s “Homecoming”
2018/05/15 22:16:24 +00:00 | Patrick Bromley
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Review: DEADPOOL 2 is a Sweet and Subversive Sequel Made with Maximum Effort
2018/05/15 16:15:45 +00:00 | Heather Wixson
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Drive-In Dust Offs: JENNIFER (1978)
2018/05/12 17:05:56 +00:00 | Scott Drebit
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Blu-ray Review: IT’S ALIVE Trilogy
2018/05/11 19:45:23 +00:00 | Patrick Bromley
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Interview: Writer/Director Vaughn Stein and Co-Stars Margot Robbie and Simon Pegg Take Us Into the World of TERMINAL
2018/05/10 22:17:52 +00:00 | Heather Wixson
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Blu-ray Review: THE ‘BURBS (Collector’s Edition)
2018/05/09 19:11:41 +00:00 | Heather Wixson
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Interview: Writer/Director Michael Pearce on Tapping into Fairy Tales and Psychopaths for BEAST
2018/05/09 17:47:30 +00:00 | Heather Wixson
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MASTERS OF HORROR Rewatch: Mick Garris’ “Chocolate”
2018/05/08 21:10:18 +00:00 | Patrick Bromley
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Horror Movie Vinyl Cover Art Preview from GHOULISH: THE ART OF GARY PULLIN
2018/05/08 19:37:50 +00:00 | Jonathan James
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Scream Factory Blu-ray Roundup: NIGHTMARE AT NOON, DAUGHTERS OF SATAN, FULL MOON HIGH
2018/05/07 20:06:57 +00:00 | Patrick Bromley
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It Came From The Tube: CURSE OF THE BLACK WIDOW (1977)
2018/05/06 20:33:48 +00:00 | Scott Drebit
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Drive-In Dust Offs: PHASE IV (1974)
2018/05/05 17:47:07 +00:00 | Scott Drebit
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Blu-ray Review: EMANUELLE AND THE LAST CANNIBALS (1977)
2018/05/05 16:59:52 +00:00 | Scott Drebit
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