Daily Dead
Interview: Director Hèctor Hernández Vicens on the Symbolism & Style of DAY OF THE DEAD: BLOODLINE
2018/01/04 22:20:43 +00:00 | Derek Anderson
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Heather’s Favorites of 2017
2018/01/03 23:34:36 +00:00 | Heather Wixson
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Interview: Sophie Skelton Discusses Her Character Zoe and the Zombies in DAY OF THE DEAD: BLOODLINE
2018/01/03 22:19:26 +00:00 | Derek Anderson
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Review: INSIDIOUS: THE LAST KEY Firmly Cements Elise Rainier as One of the Best Modern Horror Characters
2018/01/03 17:02:48 +00:00 | Heather Wixson
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Jonathan’s Favorites of 2017
2018/01/02 23:02:54 +00:00 | Jonathan James
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Interview: PSYCHOPATHS Filmmaker Mickey Keating on Making Movies That Celebrate Movies
2018/01/02 22:29:59 +00:00 | Heather Wixson
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Interview: Director Adam Robitel on Taking the Reins and Leaning into the Human Drama for INSIDIOUS: THE LAST KEY
2018/01/02 18:55:52 +00:00 | Heather Wixson
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Crypt of Curiosities: Enzo G. Castellari’s BRONX Movies
2017/12/29 23:47:54 +00:00 | Perry Ruhland
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Forbidden Tomes: The Vast Unknown – Hammer’s Homage to Algernon Blackwood in THE ABOMINABLE SNOWMAN (1957)
2017/12/29 22:13:29 +00:00 | Ben Larned
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Catalog From The Beyond: SNOW WHITE: A TALE OF TERROR (1997)
2017/12/27 19:08:40 +00:00 | Bryan Christopher
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It Came From The Tube: AND ALL THROUGH THE HOUSE (1989)
2017/12/25 00:38:25 +00:00 | Scott Drebit
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CHRISTMAS EVIL: Unwrapping the TAXI DRIVER of the Horror Genre
2017/12/22 22:39:11 +00:00 | Nick Caruso
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Science of Scares: The Real-Life Horrors of Crowds
2017/12/22 22:13:38 +00:00 | Margee Kerr
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Christmas with the KRAMPUS: Unwrapping Michael Dougherty’s Second Round of Fine Holiday Fear
2017/12/21 19:40:11 +00:00 | Nick Caruso
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Blu-ray Reviews: DARKMAN II: THE RETURN OF DURANT and DARKMAN III: DIE DARKMAN DIE
2017/12/21 17:56:49 +00:00 | Patrick Bromley
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