Daily Dead
Q&A: Writer/Artist John Stanisci & Actor/Producer Stelio Savante Discuss New Graphic Novel LIFEDEATH, Kickstarter Campaign & Hopes for a Film Adaptation
2017/11/14 18:57:21 +00:00 | Derek Anderson
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It Came From The Tube: MIND OVER MURDER (1979)
2017/11/12 22:00:20 +00:00 | Scott Drebit
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Drive-In Dust Offs: THE MANSTER (1959)
2017/11/11 18:16:18 +00:00 | Scott Drebit
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Interview: Co-Writer/Director Joachim Trier on Creating the Human Horrors of THELMA
2017/11/10 23:34:57 +00:00 | Heather Wixson
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Forbidden Tomes: Schisms and Dreams – The Bizarre Whimsy of E.T.A. Hoffmann
2017/11/10 23:08:14 +00:00 | Ben Larned
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Cinepocalypse 2017 Review: Charming Comedy Stands Above Zombies in DEAD SHACK
2017/11/09 17:20:21 +00:00 | Patrick Bromley
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DVD Review: BEYOND THE SEVENTH DOOR (1987)
2017/11/08 23:32:14 +00:00 | Scott Drebit
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Cinepocalypse 2017 Review: MOHAWK Highlights the Horror of History
2017/11/08 23:00:48 +00:00 | Patrick Bromley
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Cinepocalypse 2017 Review: SEQUENCE BREAK is the Best Kind of Head Trip
2017/11/07 22:57:14 +00:00 | Patrick Bromley
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Cinepocalypse 2017 Review: Performances Elevate Character-Driven POOR AGNES
2017/11/07 19:41:14 +00:00 | Patrick Bromley
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Interview: Legendary Filmmaker Takashi Miike Discusses His 100th Film, BLADE OF THE IMMORTAL
2017/11/06 23:50:52 +00:00 | Heather Wixson
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Cinepocalypse 2017 Review: PSYCHOPATHS is Mickey Keating’s Most Ambitious Film Yet
2017/11/06 20:02:36 +00:00 | Patrick Bromley
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Cinepocalypse 2017 Review: THE LODGERS is a Gorgeous Gothic Ghost Story
2017/11/06 17:58:38 +00:00 | Patrick Bromley
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Cinepocalypse 2017 Review: DOWNRANGE is an Exercise in Tension
2017/11/06 16:27:55 +00:00 | Patrick Bromley
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Cinepocalypse 2017 Review: Practical Creatures Shine in THE TERROR OF HALLOW’S EVE
2017/11/05 16:52:18 +00:00 | Patrick Bromley
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