Daily Dead
Graphic Nature: Jeremy from Silver Ferox on the Artwork for One Way Static’s Vinyl Soundtracks for the CANDYMAN Films
2017/07/11 00:01:57 +00:00 | Sam Hart
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Class of 1987: RETURN TO HORROR HIGH Still Earns a Passing Grade with Gore, Humor & Infectious Fun
2017/07/10 21:39:49 +00:00 | Tamika Jones
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Class of 1987: Frightning Strikes Twice – Celebrating HOUSE II: THE SECOND STORY with the Cast & Crew [Part 2]
2017/07/09 23:40:50 +00:00 | Heather Wixson
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It Came From The Tube: DEAD OF NIGHT (1977)
2017/07/09 16:58:45 +00:00 | Scott Drebit
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Class of 1987: Frightning Strikes Twice – Celebrating HOUSE II: THE SECOND STORY with the Cast & Crew [Part 1]
2017/07/09 00:19:58 +00:00 | Heather Wixson
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Drive-In Dust Offs: BUG (1975)
2017/07/08 18:57:07 +00:00 | Scott Drebit
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Forbidden Tomes: Decadent Decay in Poppy Z. Brite’s WORMWOOD
2017/07/07 23:11:33 +00:00 | Ben Larned
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Crypt of Curiosities: Boundary-Pushing British Psychological Thrillers of the 1960s
2017/07/07 22:22:57 +00:00 | Perry Ruhland
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Class of 1987: HELLRAISER – Clive Barker’s Invitation to Embrace Our Inner Cenobite
2017/07/07 20:57:10 +00:00 | Bryan Christopher
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Interview: Writer/Director Camille Thoman on the Inspiration Behind Her Psychological Thriller NEVER HERE
2017/07/07 19:30:42 +00:00 | Heather Wixson
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Review: SPIDER-MAN: HOMECOMING Instills New Life in the Web-Slinger’s Cinematic Saga
2017/07/07 16:29:50 +00:00 | Monte Yazzie
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Class of 1987: Fulci Goes Farming in THE CURSE
2017/07/06 18:35:39 +00:00 | Scott Drebit
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Class of 1987: 30 Years of Liquid Evil – Celebrating John Carpenter’s PRINCE OF DARKNESS
2017/07/05 18:57:19 +00:00 | Patrick Bromley
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CLASS OF 1987 Retrospective Series Coming to Daily Dead Beginning July 5th
2017/07/04 20:38:56 +00:00 | Heather Wixson
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Review Round-Up: CAMERA OBSCURA, AARON’S BLOOD, and THE LITTLE HOURS
2017/07/03 19:25:29 +00:00 | Heather Wixson
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