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One of my favorite films out of Fantastic Fest 2017 was Kevin Phillips' Super Dark Times (read our review here), a haunting gut-punch thriller about two friends (Owen Campbell, Charlie Tahan) who must wrestle with their own inner demons after a tragic accident causes a rift in their long-standing friendship and begins to take its toll on their respective psyches. While in Austin, Daily Dead was excited to speak with Phillips, Tahan, and Campbell about their experiences collaborating together on the project, tapping into their characters, and how their experiences on set were anything but Super Dark Times.

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Composer Kevin Blumenfeld has enhanced scares through his music on The Walking Dead webisodes, and now he's bringing horror to the halls of higher education with his electronic score for go90's new murder mystery series, In the Vault. For our latest Q&A feature, we caught up with Blumenfeld to discuss his new project, working within the world of The Walking Dead, and the horror films that have inspired and influenced him over the years.

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One of 39 titles to be successfully prosecuted under the Obscene Publications Acts in 1984, Joe D’Amato’s Absurd (aka Horrible aka Rosso Sangue) massaged the erogenous zones of gore hounds across the globe upon release. Centered around a tense, unforgettable melody, Carlo Maria Cordio’s score is a compelling mix of high-strung grindhouse funk and synthesized splinters of Italian flair. As part of Death Waltz’s video nasty series, the label commissioned the canvas work of Wes Benscoter, whose grizzly graphical style violently epitomized the film's dark, bloodthirsty aesthetic.

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Since I showed some love to Netflix yesterday, I thought it was only proper today to put the spotlight on Amazon Prime and their vast streaming library that features hundreds of genre titles.

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Over the last several years, filmmaker Mike Flanagan has quickly established himself as one of the best and most assured genre storytellers of the last decade. From Absentia to Oculus to Hush, as well as Ouija: Origin of Evil and Before I Wake (which this writer is still patiently waiting for a Stateside release), Flanagan has a proven track record as a confident director, and his latest project, Gerald’s Game, is another example of his ability to tell uniquely compelling stories in a way that only he can.

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A few weeks ago, Daily Dead had the opportunity to speak with director Steve Mitchell about his new documentary, King Cohen, which profiles maverick filmmaker Larry Cohen and his wild journey throughout his decades-spanning career (you can read that interview HERE). And now that this writer finally had the opportunity to see King Cohen as part of the 2017 Fantastic Fest lineup, I had a few more questions for Mitchell, who managed to craft an entertaining, informative, and heartfelt celebration of a truly one-of-a-kind talent in Cohen.

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Happy October, boils and ghouls! Now that our favorite month has officially kicked off, that means many of us are putting together a list of must-watch movies to get into the Halloween spirit. With that in mind, this writer has once again pulled together a varied list of 31 (well, technically more than 31, but who can resist cheating a bit when it comes to horror movies?) films that are currently streaming on Netflix that should undoubtedly get you primed for the big day on October 31st.

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Director Curtis Harrington always offered up solid, unassuming genre fare on the small screen (How Awful about Allan, the wonderfully goofy Devil Dog: The Hound of Hell); and when he collaborated with noted scribe Robert Bloch (Psycho), the result was NBC’s The Dead Don’t Die (1975), an effective throwback to the Lewton/Turneur era beloved by both, shot through with a big dose of pulpy goodness.

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It’s been a very strong year for Stephen King adaptations (well, adaptations not named The Dark Tower), with the release of Andy Muschietti’s IT and several new TV series, too. Now we’ve got two other stellar projects making their way to Netflix, Gerald’s Game from Mike Flanagan (Ouija: Origin of Evil, Oculus, Hush) and 1922 from genre newcomer Zak Hilditch. This dynamic duo of Netflix films recently screened at the 2017 Fantastic Fest in Austin, and I'd like to share my thoughts on these two wildly different films that were both equally compelling and entertaining viewing experiences all the same.

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Brian DePalma has always come under the gun of the Movie Police, whether it’s for charges of Hitchcock “homages” or misogynistic attitudes towards his female characters. Well round up the paddy wagons for Body Double (1984), the clever thriller that mixes Vertigo, Rear Window, and the adult film industry into one heady stew that audiences took a hard pass on at the time. Maybe it was too classy?

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Last week, S. Craig Zahler’s Brawl in Cell Block 99 celebrated its US premiere at the 2017 Fantastic Fest, and it also enjoyed its Los Angeles debut yesterday evening at the 2017 Beyond Fest at the historic Egyptian Theatre. Daily Dead recently had the opportunity to speak with one of Cell Block 99’s co-stars, the legendary Udo Kier, who discussed what drew him into the project initially and his thoughts on collaborating with Zahler.

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[Originally appeared in the February 2015 issue of DEADLY Magazine.] I had survived. There were hundreds more to come, but I had made it through that dreaded first one. Arriving home on a weekday afternoon after earning an “A” on my first college test, I was looking to celebrate. So what if I would have failed without the massive grading curve my professor threw out as a life preserver for the class? An “A” was an “A”, and with the rigid time structure of high school in the rearview mirror, I had the entire afternoon to celebrate my first higher education victory (if you could call it that). I knew exactly where to go for the proper party, a destination that didn’t even require getting off the couch: the “Free Movies” menu on Xfinity.

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In 1946, the sleepy Texas town of Texarkana was rocked by a string of eight violent assaults, five of them resulting in murder. These crimes were later dubbed the Texarkana Moonlight Murders, named after the late-night timing of the attacks, and the unknown perpetrator become known as the “Phantom Killer.” It was truly a horrific crime and it’s no surprise that it’s one that would attract exploitation filmmakers. Filmmakers like Texarkana resident Charles B. Pierce.

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He ushered in a new Halloween tradition by taking us to Haddonfield and introducing us to The Shape, and now John Carpenter has teamed up with a talented team of artists and writers to bring us more seasonal scares with Tales for a HalloweeNight Volume 3, the latest entry in the graphic novel anthology series from Storm King Productions. Ahead of the third volume's release in early October, we've been provided with preview pages that tease fun and frightening times in a haunted house filled with familiar faces from horror genre history.

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Arriving in limited theaters this Friday (and hitting VOD/Digital on October 3rd) is writer/director Mateo Gil’s intriguing sci-fi drama, Realive, which boldly confronts mortality and medical morality after its protagonist Marc (Tom Hughes) is diagnosed with an inoperable brain tumor, and instead of accepting his impending death, chooses to be cryogenically frozen in hopes of being brought back sometime in the future. Marc gets his wish, which seems like the perfect situation, but as complications arise, he begins to realize that his new immortality isn’t necessarily worth it.

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