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Cinepocalypse 2017 Review: GET MY GUN is Smart, Satisfying Exploitation
2017/11/05
15:45:27 +00:00
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Patrick Bromley
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Blu-ray Review: THE DEVIL’S RAIN (1975)
2017/11/03
21:19:26 +00:00
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Scott Drebit
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Review Round-Up: REVENGE, MY FRIEND DAHMER, and LET THE CORPSES TAN
2017/10/24
21:12:58 +00:00
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Heather Wixson
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Sitges 2017 Review: THE CRESCENT Evokes Low-Budget Chills with Genuine Vision
2017/10/20
19:13:46 +00:00
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Ben Larned
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Blu-ray Review: THE DEVIL’S HONEY (1986)
2017/10/20
17:35:48 +00:00
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Scott Drebit
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Sitges 2017 Review: THE BOOK OF BIRDIE Blends Gothic Tradition and Psychological Truth
2017/10/20
16:08:09 +00:00
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Ben Larned
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Sitges 2017 Review: BOYS IN THE TREES is a Dark, Cathartic Halloween Fantasy
2017/10/20
15:35:36 +00:00
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Ben Larned
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Sitges 2017 Review: CREEP 2 Improves on the Original’s Complexity and Dread
2017/10/17
22:53:30 +00:00
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Ben Larned
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Sitges 2017 Review: HAGAZUSSA is a Challenging but Immersive Experience
2017/10/17
19:58:10 +00:00
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Ben Larned
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Blu-ray Review: THE OTHERWORLD (2013)
2017/10/17
15:24:26 +00:00
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Scott Drebit
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Blu-ray Review: Lucio Fulci’s DON’T TORTURE A DUCKLING (1972)
2017/10/14
14:53:29 +00:00
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Perry Ruhland
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Review: HAPPY DEATH DAY Delivers Horror Fun Again and Again (and Again)
2017/10/14
00:07:45 +00:00
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Heather Wixson
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Fantastic Fest 2017 Review Round-Up: ANNA AND THE APOCALYPSE, HAUNTERS: THE ART OF THE SCARE, LES AFFAMÉS
2017/10/11
21:32:44 +00:00
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Heather Wixson
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Sitges 2017 Review: THE RITUAL is an Artful, Horrifying Return to Folk Horror
2017/10/10
21:26:51 +00:00
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Ben Larned
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Sitges 2017 Review: HOUSEWIFE is an Imperfect but Impressive Neo-Giallo Nightmare
2017/10/10
20:39:38 +00:00
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Ben Larned
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