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Fantasia 2024 Review: THE DEAD THING is a Nightmarish Look at Dating and Toxic Relationships
2024/07/30
14:32:38 +00:00
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Emily von Seele
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Review: STARVE ACRE is Old-Fangled Folk Horror That Lingers
2024/07/26
18:09:06 +00:00
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Rocco T. Thompson
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Fantasia 2024 Review: Lowell Dean’s DARK MATCH Feels Like A Warm Up
2024/07/23
00:29:43 +00:00
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Rocco T. Thompson
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Review: TWISTERS is Exhilarating Cinema That Sucks You In
2024/07/18
16:43:26 +00:00
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Matt Donato
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Review: THE VOURDALAK is a Beautiful and Horrifying Vampire Tale
2024/07/18
01:17:40 +00:00
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Emily von Seele
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Review: DELICATE ARCH is an Interesting Film that Plays with Reality Itself
2024/07/16
03:11:31 +00:00
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Emily von Seele
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Review: THE INHERITANCE is a Middle-of-the-Pack Faustian Tale
2024/07/09
13:57:17 +00:00
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Matt Donato
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Review: A QUIET PLACE: DAY ONE is a Striking Achievement in Monster Cinema
2024/06/27
13:11:56 +00:00
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Matt Donato
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MAXXXINE Review: Mia Goth is a F*cking Star
2024/06/26
16:05:38 +00:00
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Matt Donato
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Review: THE EXORCISM is Too Quiet On Set
2024/06/21
18:04:07 +00:00
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Matt Donato
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Review: GATEWAY is a Well-Paced, Riveting Haunted House Tale
2024/06/17
03:36:29 +00:00
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Emily von Seele
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Review: LONGLEGS is an Eerily Hypnotic Film That Stays With You Long After the Credits Roll
2024/06/10
17:37:35 +00:00
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Jonathan James
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Review: THE WATCHERS is a Mix of Compelling Celtic Folk Horror and Choppy Storytelling
2024/06/07
15:39:32 +00:00
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Matt Donato
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Review: UNDER PARIS is Absurdly Entertaining Shark Horror
2024/06/03
21:17:39 +00:00
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Matt Donato
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Review: EVIL Season 4 is as Deranged and Absorbing as Ever
2024/05/30
15:46:13 +00:00
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Zofia Wijaszka
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