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Review: TAROT is a Monster Mash with Diminishing Returns
2024/05/03
17:21:11 +00:00
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Matt Donato
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Review: BOY KILLS WORLD Packs a Punch, But Drags Itself Across the Finish Line
2024/04/23
15:59:32 +00:00
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Matt Donato
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Review: BAGHEAD is an Underwhelming Short-to-Feature Adaptation
2024/04/11
18:36:44 +00:00
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Matt Donato
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Review: THE FIRST OMEN is a Powerful Prequel That Brings Blasphemous Highs
2024/04/04
16:02:03 +00:00
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Matt Donato
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Review: GODZILLA X KONG: THE NEW EMPIRE is Kaiju Comfort Food
2024/03/28
16:00:35 +00:00
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Matt Donato
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GHOSTBUSTERS: FROZEN EMPIRE Review: Bustin’ Just Doesn’t Feel As Good Anymore
2024/03/21
02:27:12 +00:00
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Matt Donato
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SXSW 2024 Review: IT’S WHAT’S INSIDE is a Freaky Party-Horror Game with Big Laughs
2024/03/19
22:06:05 +00:00
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Matt Donato
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SXSW 2024 Review: Top-Notch Creature Work Makes ARCADIAN a Damn Good Monster Mash
2024/03/12
22:04:43 +00:00
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Matt Donato
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SXSW 2024 Review: I SAW THE TV GLOW is a Melancholic Ode to Screen Escapes and Suburban Decay
2024/03/11
22:04:05 +00:00
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Matt Donato
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Review: LOVE LIES BLEEDING is Cinematic Comfort Food with Inviting Twists
2024/03/07
23:54:14 +00:00
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Matt Donato
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Review: NO WAY UP Doesn’t Fulfill Its B-Movie Potential
2024/02/16
22:21:40 +00:00
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Matt Donato
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Review: LISA FRANKENSTEIN is a Valentine’s Day Treat for Horror Fans
2024/02/07
16:04:18 +00:00
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Matt Donato
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Sundance 2024 Review: IN A VIOLENT NATURE Gushes Exquisite Gore and Reimagines the Slasher Structure with Newfound Originality
2024/01/23
23:27:42 +00:00
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Matt Donato
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Matt’s Favorites of 2023
2024/01/05
16:58:23 +00:00
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Matt Donato
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Review: LORD OF MISRULE is an Undeniably Atmospheric Venture Into Villages of the Damned
2023/12/08
21:07:11 +00:00
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Matt Donato
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