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Review: BLOOD ON HER NAME Is an Impressive Debut and a Fresh Take on the Noir Leading Lady
2020/02/26 15:55:28 +00:00 | Sara Clements
2020/02/26 15:55:28 +00:00 | Sara Clements
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Review: With THE INVISIBLE MAN (2020), Leigh Whannell Has Crafted a Masterclass in Tension and Terror
2020/02/25 07:00:19 +00:00 | Heather Wixson
2020/02/25 07:00:19 +00:00 | Heather Wixson
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Review: FANTASY ISLAND (2020) Would Have Worked Better as a New TV Series
2020/02/14 17:00:11 +00:00 | Heather Wixson
2020/02/14 17:00:11 +00:00 | Heather Wixson
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Blu-ray Review: MY BLOODY VALENTINE (1981) Collector’s Edition
2020/02/12 00:00:13 +00:00 | Heather Wixson
2020/02/12 00:00:13 +00:00 | Heather Wixson
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Slamdance 2020 Review Round-Up: BIG FUR and MAJNUNI
2020/02/10 17:04:35 +00:00 | Heather Wixson
2020/02/10 17:04:35 +00:00 | Heather Wixson
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Review: Netflix’s LOCKE & KEY is an Exciting New Series Full of Devilish Trickery
2020/02/05 21:24:35 +00:00 | Sara Clements
2020/02/05 21:24:35 +00:00 | Sara Clements
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Sundance 2020 Review Round-Up: AMULET, LA LLORONA, and IMPETIGORE
2020/02/04 23:17:40 +00:00 | Heather Wixson
2020/02/04 23:17:40 +00:00 | Heather Wixson
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Sundance 2020 Review: Brandon Cronenberg’s POSSESSOR is a Mind-Blowing Sci-Fi/Horror Hybrid
2020/02/03 18:28:39 +00:00 | Heather Wixson
2020/02/03 18:28:39 +00:00 | Heather Wixson
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Blu-ray Review: THE PEANUT BUTTER SOLUTION (1985)
2020/01/31 23:03:00 +00:00 | Scott Drebit
2020/01/31 23:03:00 +00:00 | Scott Drebit
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Sundance 2020 Review: Rebecca Hall Tackles Grief and Guilt for THE NIGHT HOUSE
2020/01/31 18:06:13 +00:00 | Heather Wixson
2020/01/31 18:06:13 +00:00 | Heather Wixson
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Sundance 2020 Review: LEAP OF FAITH: WILLIAM FRIEDKIN ON THE EXORCIST is an Enlightening Look Back on One of Cinema’s Greatest Achievements
2020/01/31 02:30:15 +00:00 | Heather Wixson
2020/01/31 02:30:15 +00:00 | Heather Wixson
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Review: GRETEL & HANSEL is a Stunning Adaptation That Takes a Familiar Tale in Surprising New Directions
2020/01/30 17:00:13 +00:00 | Heather Wixson
2020/01/30 17:00:13 +00:00 | Heather Wixson
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Sundance 2020 Review: SCARE ME Serves as a Hilarious Reminder of What Makes Horror Storytelling So Great
2020/01/27 21:43:25 +00:00 | Heather Wixson
2020/01/27 21:43:25 +00:00 | Heather Wixson
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Sundance 2020 Review: Exploring the Horrors of Aging, RELIC is a Monstrously Impressive Debut from Natalie Erika James
2020/01/26 18:28:13 +00:00 | Heather Wixson
2020/01/26 18:28:13 +00:00 | Heather Wixson
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Review: THE TURNING Hits Some Highs, But Falls Short in its Ending
2020/01/23 07:00:05 +00:00 | Heather Wixson
2020/01/23 07:00:05 +00:00 | Heather Wixson
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Daily Dead'S Official Podcast!
More Episodes
Episode 145 - Amanda Wyss on A NIGHTMARE ON ELM STREET, BETTER OFF DEAD, Receiving the Horror Icon Award
Episode 144 - Heather Wixson and Meagan Navarro Celebrate Filmmaker Debra Hill
Episode 143 - Kathryn Bigelow's NEAR DARK with Heather Wixson, Emily von Seele, and Stephanie Crawford
Episode 142 - Director Natalie Erika James Discusses RELIC at Sundance
Episode 141 - Director Osgood Perkins Discusses GRETEL & HANSEL
Episode 140 - UNDERWATER, INSIDIOUS & MORTUARY
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