Daily Dead
Drive-In Dust Offs: THE FUNHOUSE (1981)
2017/09/02 17:13:41 +00:00 | Scott Drebit
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Interview: Dee Wallace Discusses RED CHRISTMAS and Reflects on E.T. THE EXTRA-TERRESTRIAL and Rob Zombie’s HALLOWEEN
2017/09/01 23:48:32 +00:00 | Derek Anderson
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Crypt of Curiosities: Peter Cushing as Dr. Who
2017/09/01 21:39:07 +00:00 | Perry Ruhland
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Review: Synapse Films’ SUSPIRIA 4K Restoration is a Dazzling Work of Art
2017/09/01 18:10:46 +00:00 | Heather Wixson
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Review: CLOSE ENCOUNTERS OF THE THIRD KIND in 4K
2017/09/01 16:49:49 +00:00 | Heather Wixson
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Science of Scares: The Summer of Unreality
2017/08/31 20:09:52 +00:00 | Margee Kerr
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Review Round-Up: CUT SHOOT KILL and IT STAINS THE SANDS RED
2017/08/31 19:33:58 +00:00 | Heather Wixson
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Q&A: Composer Giona Ostinelli on Creating the Unsettling Score for Spike’s THE MIST TV Series
2017/08/30 21:46:11 +00:00 | Derek Anderson
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Review: THE VILLAINESS is a High-Energy Slice of Action-Fueled Heaven
2017/08/28 18:26:59 +00:00 | Heather Wixson
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Drive-In Dust Offs: EMPIRE OF THE ANTS (1977)
2017/08/26 18:48:39 +00:00 | Scott Drebit
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Practical-ly Perfect: Celebrating the Creature Effects of ATTACK THE BLOCK with Spectral Motion’s Mike Elizalde
2017/08/26 00:09:05 +00:00 | Heather Wixson
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Forbidden Tomes: The Haunted Conscience – Morality in Matthew Lewis’ THE MONK
2017/08/25 23:11:02 +00:00 | Ben Larned
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Interview: G Tom Mac Talks A LOST BOYS STORY Musical, the Legacy of “Cry Little Sister,” and THE LOST BOYS TV Series
2017/08/24 16:56:05 +00:00 | Derek Anderson
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Deadly Pleasures: A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD (1989)
2017/08/23 22:57:19 +00:00 | Patrick Bromley
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Review: DAVE MADE A MAZE is an Innovative & Charm-Filled Adventure for Grown-Ups
2017/08/23 21:05:07 +00:00 | Heather Wixson
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