Daily Dead
Q&A: Composer Giona Ostinelli on Creating the Unsettling Score for Spike’s THE MIST TV Series
2017/08/30 21:46:11 +00:00 | Derek Anderson
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Review: THE VILLAINESS is a High-Energy Slice of Action-Fueled Heaven
2017/08/28 18:26:59 +00:00 | Heather Wixson
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Drive-In Dust Offs: EMPIRE OF THE ANTS (1977)
2017/08/26 18:48:39 +00:00 | Scott Drebit
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Practical-ly Perfect: Celebrating the Creature Effects of ATTACK THE BLOCK with Spectral Motion’s Mike Elizalde
2017/08/26 00:09:05 +00:00 | Heather Wixson
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Forbidden Tomes: The Haunted Conscience – Morality in Matthew Lewis’ THE MONK
2017/08/25 23:11:02 +00:00 | Ben Larned
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Interview: G Tom Mac Talks A LOST BOYS STORY Musical, the Legacy of “Cry Little Sister,” and THE LOST BOYS TV Series
2017/08/24 16:56:05 +00:00 | Derek Anderson
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Deadly Pleasures: A NIGHTMARE ON ELM STREET 5: THE DREAM CHILD (1989)
2017/08/23 22:57:19 +00:00 | Patrick Bromley
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Review: DAVE MADE A MAZE is an Innovative & Charm-Filled Adventure for Grown-Ups
2017/08/23 21:05:07 +00:00 | Heather Wixson
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Interview: John Kassir Discusses Voicing Martini-Bot on MYSTIC COSMIC PATROL and Talks TALES FROM THE CRYPT Series
2017/08/22 23:52:08 +00:00 | Derek Anderson
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Flashback Weekend 2017: Katharine Isabelle, Ken Kirzinger, Paula Shaw, and Jesse Hutch Look Back on FREDDY VS. JASON
2017/08/22 01:27:33 +00:00 | Heather Wixson
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Graphic Nature: JenoLab on Creating the SUPER CASTLEVANIA IV Vinyl Score Artwork for Mondo & Konami Kukeiha Club
2017/08/22 00:18:35 +00:00 | Sam Hart
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Q&A: Composer Michael Gatt on Scoring the Dystopian Mayhem of BLOOD DRIVE
2017/08/21 23:19:37 +00:00 | Derek Anderson
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Fantasia 2017 Review Round-Up: BETTER WATCH OUT and FASHIONISTA
2017/08/21 18:19:02 +00:00 | Heather Wixson
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Crypt of Curiosities: Ho Meng Hua’s BLACK MAGIC Duology
2017/08/18 21:14:41 +00:00 | Perry Ruhland
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Flashback Weekend 2017: Heather Langenkamp, Amanda Wyss, and Ronee Blakley Discuss Social Issues of A NIGHTMARE ON ELM STREET & Remember Wes Craven [Part 2]
2017/08/18 18:08:35 +00:00 | Heather Wixson
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