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To Horror, with Love: Cinema’s Biggest Genre Fans – Sean Crenshaw from THE MONSTER SQUAD (1987)
2017/02/10 21:40:09 +00:00 | Patrick Bromley
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Review: A CURE FOR WELLNESS is an Audacious Gothic Nightmare from Gore Verbinski
2017/02/08 05:31:11 +00:00 | Heather Wixson
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Interview: Nick Damici Discusses STAKE LAND II and His Plans for a Third Film in the Franchise
2017/02/07 21:56:10 +00:00 | Derek Anderson
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Drive-In Dust Offs: THE BRIDES OF DRACULA (1960)
2017/02/04 18:20:29 +00:00 | Scott Drebit
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Interview: Aimee Teegarden Talks Taking on Samara in RINGS
2017/02/04 02:05:10 +00:00 | Derek Anderson
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Interview: Katee Sackhoff Discusses DON’T KNOCK TWICE, RIDDICK & Rescuing Baby Hedgehogs
2017/02/04 00:16:32 +00:00 | Derek Anderson
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Forbidden Tomes: Conquest for Conquest’s Sake – A History of American Violence in BLOOD MERIDIAN
2017/02/03 22:48:44 +00:00 | Ben Larned
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Q&A: Josh Stewart Discusses the Kickstarter Campaign for His New Film BACK FORK
2017/02/03 21:15:59 +00:00 | Derek Anderson
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Review: RINGS Starts Out Strong, But Needs More Screen Time for Samara
2017/02/03 16:19:30 +00:00 | Derek Anderson
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Interview: Bonnie Morgan Talks Returning to the Role of Samara in RINGS
2017/02/02 20:03:06 +00:00 | Derek Anderson
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Catalog From The Beyond: Alfred Hitchcock’s ROPE (1948)
2017/02/01 21:09:27 +00:00 | Bryan Christopher
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Interview: Malcolm McDowell Talks ROGER CORMAN’S DEATH RACE 2050, Rob Zombie’s 31 & HALLOWEEN Films
2017/02/01 00:37:07 +00:00 | Derek Anderson
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Sundance 2017 Review Round-Up: BUSHWICK, BITCH, and A GHOST STORY
2017/01/30 23:47:48 +00:00 | Heather Wixson
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It Came From The Tube: NIGHT SLAVES (1970)
2017/01/29 20:44:36 +00:00 | Scott Drebit
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Sundance 2017 Review: COLOSSAL Raises the Bar for Modern Monster Movies
2017/01/29 15:43:52 +00:00 | Heather Wixson
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