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Cinepocalypse 2017 Review: Charming Comedy Stands Above Zombies in DEAD SHACK
2017/11/09
17:20:21 +00:00
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Patrick Bromley
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DVD Review: BEYOND THE SEVENTH DOOR (1987)
2017/11/08
23:32:14 +00:00
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Scott Drebit
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Cinepocalypse 2017 Review: MOHAWK Highlights the Horror of History
2017/11/08
23:00:48 +00:00
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Patrick Bromley
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Cinepocalypse 2017 Review: SEQUENCE BREAK is the Best Kind of Head Trip
2017/11/07
22:57:14 +00:00
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Patrick Bromley
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Cinepocalypse 2017 Review: Performances Elevate Character-Driven POOR AGNES
2017/11/07
19:41:14 +00:00
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Patrick Bromley
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Cinepocalypse 2017 Review: PSYCHOPATHS is Mickey Keating’s Most Ambitious Film Yet
2017/11/06
20:02:36 +00:00
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Patrick Bromley
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Cinepocalypse 2017 Review: THE LODGERS is a Gorgeous Gothic Ghost Story
2017/11/06
17:58:38 +00:00
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Patrick Bromley
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Cinepocalypse 2017 Review: DOWNRANGE is an Exercise in Tension
2017/11/06
16:27:55 +00:00
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Patrick Bromley
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Cinepocalypse 2017 Review: Practical Creatures Shine in THE TERROR OF HALLOW’S EVE
2017/11/05
16:52:18 +00:00
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Patrick Bromley
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Cinepocalypse 2017 Review: GET MY GUN is Smart, Satisfying Exploitation
2017/11/05
15:45:27 +00:00
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Patrick Bromley
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Blu-ray Review: THE DEVIL’S RAIN (1975)
2017/11/03
21:19:26 +00:00
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Scott Drebit
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Review Round-Up: REVENGE, MY FRIEND DAHMER, and LET THE CORPSES TAN
2017/10/24
21:12:58 +00:00
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Heather Wixson
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Sitges 2017 Review: THE CRESCENT Evokes Low-Budget Chills with Genuine Vision
2017/10/20
19:13:46 +00:00
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Ben Larned
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Blu-ray Review: THE DEVIL’S HONEY (1986)
2017/10/20
17:35:48 +00:00
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Scott Drebit
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Sitges 2017 Review: THE BOOK OF BIRDIE Blends Gothic Tradition and Psychological Truth
2017/10/20
16:08:09 +00:00
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Ben Larned
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