Drafthouse Films announced that they've acquired distribution rights to 1979's The Visitor and are planning an HD restoration and release of the movie:

AUSTIN, TX - Wednesday, June 19th, 2013 - Drafthouse Films, the film distribution arm of the Alamo Drafthouse Cinema, announced today the acquisition of North American rights to '70s phantasmagoric sci-fi/horror/action/??? hybrid The Visitor. Legendary Hollywood director/actor John Huston (The Maltese Falcon; Treasure Of The Sierra Madre) stars as an intergalactic warriorbattling alongside a cosmic Christ figure against a demonic eight-year-old girl and her pet hawk, as the fate of the universe hangs in the balance. A new HD restoration from the original film materials is planned for a theatrical, home video and multi Video On Demand/Digital platform release later in the year.

In the dawn of '70s American blockbusters, European production companies emerged stateside, attempting to recreate box office gold by cloning Hollywood. The infamous Supreme Court-banned Jaws copy Great White, The Exorcist-esque Beyond The Door, and countless otherswere packaged for export and the burgeoning drive-in circuit. Producer Ovidio G. Assonitis and Director/Professional Body Builder Michael J. Paradise's The Visitor Stands as perhaps the most ambitious of all, taking its inspiration by artfully fusing The Omen, Close Encounters Of The Third Kind, The Birds, Rosemary's Baby, The Fury and Star Wars alongside a baffling cast that includes Shelley Winters (NightOfTheHunter), Glenn Ford (Superman), Lance Henriksen (Aliens), Franco Nero (Django) and Sam Peckinpah (director of TheWildBunch).

The result is not so much a carbon copy, but rather an entertainingly hallucinatory and inscrutable mash-up that repertory cinema programmers around the country have rediscovered for late-night bookings. "Just when you think you've nailed down which direction the film is heading in, it completely shatters your notion of the time-space continuum," says LA art-house The Cinefamily. At the time of its original release, TheVisitoruniversally received poor reviews by mainstream critics including TV Guide who simply called it "junk," but now, the film stands as "the Mount Everest of insane '70s Italian movies" (Mondo Digital).

"This film is from another time, another place and another wholly different dimension," says Drafthouse Films Creative Director Evan Husney, "and contains the highest JDPM (jaw-drops-per-minute) ratio out of any movie we have ever encountered. The Visitor is a repertory mainstay at the Alamo Drafthouse and is truly one of the most joyfully delirious theatrical experiences we've unleashed on our audiences. The world wasn't ready for this film in 1979, and it still may not be. Regardless, we are ecstatic to be able to reintroduce cinema's most colossally bizarro achievement. Ever."

The deal was negotiated by COO James Emanuel Shapiro on behalf of Drafthouse Films and Fabrizio Gionaon behalf of the film's rights holder, producer Ovidio G. Assonitis.

  • Jonathan James
    About the Author - Jonathan James

    After more than a decade as a consultant in the tech and entertainment industries, Jonathan James launched Daily Dead in 2010 to share his passion for horror entertainment. He takes immense pride in Daily Dead's talented team of writers, who work tirelessly to explore and celebrate horror as a respected art form capable of telling complex, character-driven stories with deep emotional and cultural impact.

    Over the course of his career, Jonathan has written more than 10,000 articles and hosted panels at major conventions, including New York Comic Con and San Diego Comic-Con. He has also been consulted as an expert on horror and pop culture, offering his insights on horror history and the latest trends through media outlets, radio stations, film festivals, and fan conventions.

  • Jonathan James
    About the Author : Jonathan James

    After more than a decade as a consultant in the tech and entertainment industries, Jonathan James launched Daily Dead in 2010 to share his passion for horror entertainment. He takes immense pride in Daily Dead's talented team of writers, who work tirelessly to explore and celebrate horror as a respected art form capable of telling complex, character-driven stories with deep emotional and cultural impact.

    Over the course of his career, Jonathan has written more than 10,000 articles and hosted panels at major conventions, including New York Comic Con and San Diego Comic-Con. He has also been consulted as an expert on horror and pop culture, offering his insights on horror history and the latest trends through media outlets, radio stations, film festivals, and fan conventions.

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