A sun-soaked, blood-splattered celebration of horror cinema and the amazing creatives who bring it to life, Popcorn Frights returns for another round of frightful fun in Fort Lauderdale this August, and we're excited to share the third wave of programming that showcases 72 short films, including Monstrous Me, Zombie Patrol, Pumpkin, Burning of a Family Tree, and many more!
You can read the full third wave announcement below, and in case you missed it, check out the second wave details. As someone who has been fortunate to serve on this festival's jury twice over the years, believe me when I say that Popcorn Frights is a horror lover's paradise that you will remember forever if you make the trip (and it's definitely one well worth taking).
You can purchase In-Theater All-Access Badges here and Virtual All-Access Passes here, and be sure to visit Popcorn Frights' official website for more information!
Press Release: July 28, 2026 // – The nightmare just got bigger! Popcorn Frights, Florida's largest and most celebrated genre film festival, proudly unveils the electrifying Third Wave of programming for its 2026 edition, expanding an already monster-sized lineup with the world premiere of Ariel Baska’s MONSTROUS ME, produced by Brea Grant and renowned filmmaker Lilly Wachowski, alongside an exceptional slate of world premieres, landmark restorations, and daring new short films from some of the most exciting voices working in genre cinema today.
Running August 6-16, Popcorn Frights' 11-day hybrid festival will present 72 short films, including 13 world premieres, across seven curated programs available both in theaters and nationwide through the festival's virtual platform featuring one of its biggest, boldest, and most fearless celebrations of genre storytelling yet. Representing filmmakers from 15 countries, this year's shorts lineup traverses the full spectrum of contemporary genre cinema—from unsettling psychological horror and supernatural nightmares to pitch-black comedy, surreal animation, and fearless experiments that push the boundaries of the form.
Among the world premieres making their debut are Amir Moini's ARTICHOKE, produced by Anna Lou Castoldi, granddaughter of horror icon Dario Argento; Alison Mattingly's BURNING OF A FAMILY TREE, starring I SAW THE TV GLOW breakout Jack Haven; Conor McMahon's GULP; Samantha Pineda Sierra's MY MOTHER THE ZOMBIE; Kenneth Thompson's THE BOGEYMAN; and Ben Baraad's EARWORM.
Festival alumni also return with an impressive new slate of work from Chris McInroy (CHÄIR), Steven Schloss (GIMME), Rob Kleinschmidt (FIND ENJOYMENT IN YOUR TOIL), Michael Buran (STAY IN), Rob Himebaugh (FEED THE DARK), Peter Ricq (COME IN), and Sam Rudykoff (HALFWAY HAUNTED), reaffirming Popcorn Frights as a home for both emerging talent and established genre innovators.
Popcorn Frights also pays tribute to two beloved cult classics with special anniversary presentations. Fans will experience the 35th anniversary restoration of Robert Kurtzman's FROM DUSK TILL DAWN, the original proof-of-concept teaser that ultimately inspired Quentin Tarantino and Robert Rodriguez's iconic vampire tale, alongside the 30th anniversary of Michael Dougherty's SEASON'S GREETINGS, presented in a brand-new 4K restoration of the animated short that first introduced audiences to Sam years before he became horror's favorite pint-sized Halloween icon in TRICK 'R TREAT.
True to its twisted roots, Popcorn Frights continues to champion Florida’s horror underground with its signature “Homegrown: 100% Pure Fresh Squeezed Florida Horror” program—a showcase of blood, sweat, and screams from the Sunshine State’s finest. This year’s lineup includes a potent batch of world premieres like Jessica Bachman’s MARY RICH AND FAMOUS, JP Bradham’s CHEAP MEAT, Michael D. Elliott’s FINAL FRAMES, Yessica Lepe’s HOT MESS, Christopher Pinto’s HORROR INSURANCE, and Mack Reyes’ PUMPKIN.
With 116 films—including 44 features, 72 shorts, and 18 world premieres—the 2026 edition marks the most ambitious program in Popcorn Frights' history. Together, the lineup reflects the festival's continued evolution as one of North America's leading destinations for genre cinema, where emerging discoveries, celebrated filmmakers, and unforgettable audience experiences converge in a singular celebration of horror's limitless imagination.
So, dim the lights, crank the volume, and prepare to face what lurks beyond the screen. The scream-fest of the summer awaits!
Individual tickets and All-Access Badges for the in-theater experience—hosted at Savor Cinema Fort Lauderdale and Classic Gateway Theater—are now available. Virtual All-Access Passes can also be purchased for streaming access to the full digital lineup. To order an In-Theater All-Access VIP Badge, click here, to order a Virtual All-Access Pass, click here.
SHORT FILM LINEUP
Animation Domination
The endless possibilities of genre animation are on dazzling display in this retina-reeling, round-the-world showcase of some of the medium’s most innovative, boundary-pushing, and mind-enhancing short films:
Butterly Kiss, dir. Zohar Dvir (Germany); Cracked, dir. Jessica Rizk (USA); The Double, dirs. Aljosha Klimov, Mitya Kokorin & Misha Sprits (Canada-Germany, North American Premiere); Eaternal Dead End, dir. Ziyaad Jina (South Africa); Find Enjoyment in Your Toil, dir. Rob Kleinschmidt (USA, U.S. Premiere); The Foley Artist, dir. Rob Aiello (USA); Hell, dir. Parker Croft (USA); Run from It, dir. Racha Kongsommart (Canada); Snacktime, dir. Alphonse Ferrari (France); Zombie Patrol, Andres Bronnimann (Costa Rica-USA)
Homegrown: 100% Pure Fresh Squeezed Florida Horror
Celebrating the cream of Florida’s homegrown crop:
Bodies of Water, dir. Biagio Gulino (USA); Cheap Meat, dir. JP Bradham (USA, World Premiere); Final Frames, dir. Michael D. Elliott (USA, World Premiere); Horror Insurance, dir. Christopher Pinto (USA, World Premiere); Hot Mess, dir. Yessica Lepe (USA, World Premiere); Mary Rich and Often, dir. Jessica Bachman (USA, World Premiere); Pumpkin, dir. Mack Reyes (USA, World Premiere)
International Midnighters
A celebration of some of the year’s most fantastic international short films from new emerging voices and established filmmakers:
Appetite of a Nobody, dir. Amanda Kaye (Australia); Banshee, dir. Peter Vass (Ireland); The Beneath, dir. Lisette Vlassak (Netherlands); Come In, dir. Peter Ricq (Canada); Freya, dir. Fredrik Lindton (Sweden); Gulp, dir. Conor McMahon (Ireland, World Premiere); Halfway Haunted, dir. Sam Rudykoff (Canada); Headphones, dir. Steven Arriagada (Australia); Heirlooms, dir. Dan Abramovici (Canada-USA); The Humbug, dir. Cole Paviour (UK); My Mother, the Zombie, dir. Samantha Pineda Sierra (Canada, World Premiere); Sweetie, dir. Taylor Olson (Canada); Wax, dir. Alexandre Forgues (Canada)
Midnighters
A celebration of new works from cinematic scaremongers that bring nightmares into waking hours with thrills, chills, and spills:
I
Artichoke, dir. Amir Moini (USA, World Premiere); Burning of a Family Tree, dir. Alison Mattingly (USA, World Premiere); Feed the Dark, dir.Rob Himebaugh (USA); House Rules, dir. Geri Courtney-Austein (USA); Inheritance, dir. Arvind Palep (USA); Rough Cut, dir. Mitchell Vincent Slan (USA); Sola, dir. Brian Hernandez (USA); Total Party Kill, dir. Alan Sanchez (USA); The Woman Is perfected, dir. Ruth Iorio Fowler (USA)II
Blindsided, dir. P. Patrick Hogan (USA); The First Hour, dir. Harrison Thomas (USA); No.3, dir. Joe Heath (USA); The Orange Circle, dir. Mike Robinson (USA); Scissors, dir. Hannah Alline (USA); Scullion, dir. Trevor Graciano (USA); Shroomery, dir. Dane A. Benko (USA); Stay In, dir. Michael Buran (USA); Trad, dir. Dave Bekerman (USA)III
American Cheese, dir. Kate Thulin (USA); Blossom Needs a Ride Home, dir. Tim Schwagel (USA); Carousel, dir. Christopher Kosakowski (USA); CHÄIR, dir. Chris McInroy (USA); Drones, dir. Steve Acevedo (USA); Four Itchy Boys, dir. Andrew Hebert (USA); Gimme, dir. Steven Schloss (USA); Monstrous Me, dir. Ariel Baska (USA, World Premiere); MurderBird, dir. Barrett Lesly Shuler (USA); Plain Folks, dir. Fatima Liaqat (USA); Rave, dirs. Jimmy Gruss & Riley McMahon (USA); Tapestry, dir. Jason Sheedy (USA)IV
The Bogeyman, dir. Kenneth Thompson (USA, World Premiere); Bokeh, dir. Ivan Salcedo (USA); Earworm, dir. Ben Baraad (USA, World Premiere); Imprint, dir. Ran Jing (USA); The Last Draft, dir. Barrett Nicholas Guilak; The Me in the TV, dir. Gordon Phillips (USA); My Severed Arm, dir. Casey de Fremery (USA); Nightfall, dir. Zac Villanueva (USA); Prey for Us, dir. Zoe Kerr (USA); The Witchening, dir. MK Kopp (USA); Worst Thing You’ve Ever Done, dir. PJ Germain (USA)For all further details please visit http://popcornfrights.com
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facebook.com/popcornfrightsABOUT POPCORN FRIGHTS FILM FESTIVAL
Popcorn Frights Film Festival is the ultimate summer celebration of the art of horror, showcasing the finest contemporary genre cinema from around the world. As the largest genre film festival in the Southeast U.S., this elven-day event takes pride in premiering works from both emerging and established filmmakers. By offering a platform for these artists, the festival aims to provide an immersive experience that highlights the captivating power of storytelling through genre film.
Poster Artwork by Kent Hernandez
Raised on a steady diet of R.L. Stine’s Goosebumps books and Are You Afraid of the Dark?, Derek has been fascinated with fear since he first saw ForeverWare being used on an episode of Eerie, Indiana.
When he’s not writing about horror as the Managing Editor of Daily Dead, Derek can be found daydreaming about the Santa Carla Boardwalk from The Lost Boys or reading Stephen King and Brian Keene novels.
Raised on a steady diet of R.L. Stine’s Goosebumps books and Are You Afraid of the Dark?, Derek has been fascinated with fear since he first saw ForeverWare being used on an episode of Eerie, Indiana.
When he’s not writing about horror as the Managing Editor of Daily Dead, Derek can be found daydreaming about the Santa Carla Boardwalk from The Lost Boys or reading Stephen King and Brian Keene novels.
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