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SXSW 2024 Review: Top-Notch Creature Work Makes ARCADIAN a Damn Good Monster Mash
2024/03/12 22:04:43 +00:00 | Matt Donato
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SXSW 2024 Review: I SAW THE TV GLOW is a Melancholic Ode to Screen Escapes and Suburban Decay
2024/03/11 22:04:05 +00:00 | Matt Donato
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Review: LOVE LIES BLEEDING is Cinematic Comfort Food with Inviting Twists
2024/03/07 23:54:14 +00:00 | Matt Donato
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Review: NO WAY UP Doesn’t Fulfill Its B-Movie Potential
2024/02/16 22:21:40 +00:00 | Matt Donato
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Review: LISA FRANKENSTEIN is a Valentine’s Day Treat for Horror Fans
2024/02/07 16:04:18 +00:00 | Matt Donato
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Sundance 2024 Review: IN A VIOLENT NATURE Gushes Exquisite Gore and Reimagines the Slasher Structure with Newfound Originality
2024/01/23 23:27:42 +00:00 | Matt Donato
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Matt’s Favorites of 2023
2024/01/05 16:58:23 +00:00 | Matt Donato
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Review: LORD OF MISRULE is an Undeniably Atmospheric Venture Into Villages of the Damned
2023/12/08 21:07:11 +00:00 | Matt Donato
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Review: THANKSGIVING is One of the Great Modern American Slashers
2023/11/15 15:27:17 +00:00 | Matt Donato
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Review: A HAUNTING IN VENICE Brings Halloween Creepiness to Familiar Whodunit Structures
2023/09/11 19:44:15 +00:00 | Matt Donato
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Review: THE NUN II Gets Back to Basics In a Bad Way
2023/09/07 16:01:05 +00:00 | Matt Donato
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Overlook 2022 Review: FLUX GOURMET is More Flavorful Obscurity Du Jour From Peter Strickland
2022/06/10 17:18:50 +00:00 | Matt Donato
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Overlook 2022 Review: SHAKY SHIVERS is a Cute And Sweet Gateway Horror Treat
2022/06/07 21:21:37 +00:00 | Matt Donato
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