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Review: COME PLAY (Monte’s Take)
2020/11/02
15:13:45 +00:00
|
Monte Yazzie
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Gialloween 2020: Revisiting the Past and Moving into the Future with MURDER OBSESSION
2020/10/29
21:58:40 +00:00
|
Monte Yazzie
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Gialloween 2020: STAGEFRIGHT is the Curtain Call for the Italian Thriller
2020/10/23
18:48:27 +00:00
|
Monte Yazzie
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Gialloween 2020: TORSO is an Interesting Example of How Giallo Cinema Embraces and Embodies Different Characteristics
2020/10/14
22:44:24 +00:00
|
Monte Yazzie
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Review: ANTEBELLUM (Monte’s Take)
2020/09/22
15:58:25 +00:00
|
Monte Yazzie
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Review: I’M THINKING OF ENDING THINGS (Monte’s Take)
2020/09/04
15:04:38 +00:00
|
Monte Yazzie
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Review: SPUTNIK (Monte’s Take)
2020/08/17
16:01:33 +00:00
|
Monte Yazzie
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Class of 1980: FLASH GORDON – Ah-Ahhh! Cinema Savior
2020/07/14
22:58:24 +00:00
|
Monte Yazzie
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Class of 1980: Memory and THE CHANGELING
2020/07/09
18:10:51 +00:00
|
Monte Yazzie
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Review: YOU SHOULD HAVE LEFT (Monte’s Take)
2020/06/22
16:45:11 +00:00
|
Monte Yazzie
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Review: BECKY
2020/06/08
15:28:03 +00:00
|
Monte Yazzie
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Review: THE WRETCHED is Comfort Food Horror Cinema (Monte’s Take)
2020/05/04
15:39:51 +00:00
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Monte Yazzie
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Review: UNDERWATER is an Entertaining Addition to the Aquatic Horror Genre (Monte’s Take)
2020/01/10
21:33:25 +00:00
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Monte Yazzie
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Monte’s Favorites of 2019
2020/01/10
03:42:52 +00:00
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Monte Yazzie
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Halloween 2019: Exploring the Quiet in THE SPIRAL STAIRCASE (1946)
2019/10/25
02:05:01 +00:00
|
Monte Yazzie
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