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Editorial: The Church is the Quiet Terror in Exorcism Films
2026/03/03 15:01:01 +00:00 | Vinnie C.
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Editorial: Tearing Through the Frame — How Cinematography Imagines Other Dimensions in Horror
2026/02/03 20:29:12 +00:00 | Vinnie C.
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[Editorial] The Horror of Legibility: Queer Visibility and Family in Mae Martin’s WAYWARD
2025/12/17 14:15:59 +00:00 | Vinnie C.
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[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
2025/09/24 17:14:40 +00:00 | Vinnie C.
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[Editorial] ANNIHILATION (2018): The Algorithm of Natural Selection Just Unfollowed You
2025/07/15 19:57:25 +00:00 | Vinnie C.
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Editorial: The Blood & Blues of SINNERS’ Colonial Horror
2025/06/12 16:30:06 +00:00 | Vinnie C.
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[Editorial] THE LAST OF US Warns: Why Learn From History When You Can Just Repeat It?
2025/04/17 18:45:31 +00:00 | Vinnie C.
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Without Fiction, Belief, Myth — What Are We Left With?: An Exploration of Robert Eggers’ NOSFERATU
2025/03/18 14:08:07 +00:00 | Vinnie C.
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Editorial: Vinnie C. Explores the Flesh and Fear of HERETIC
2025/02/25 16:40:16 +00:00 | Vinnie C.
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    [Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
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    Editorial: The Church is the Quiet Terror in Exorcism Films
    Editorial: The Church is the Quiet Terror in Exorcism Films
    [Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
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