Daily Dead
BLOODBORNE: THE VEIL, TORN ASUNDER Preview Pages and Q&A with Writer Aleš Kot
2020/01/27 19:41:04 +00:00 | Derek Anderson
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Sundance 2020 Review: Exploring the Horrors of Aging, RELIC is a Monstrously Impressive Debut from Natalie Erika James
2020/01/26 18:28:13 +00:00 | Heather Wixson
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Drive-In Dust Offs: MORTUARY (1983)
2020/01/25 17:18:06 +00:00 | Scott Drebit
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Daily Dead Salutes Your Shorts: FEAR WISH, THE MONSTER, and GARDEN PARTY
2020/01/24 18:52:47 +00:00 | Heather Wixson
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Let’s Scare Bryan to Death: Yann Gonzalez’s KNIFE + HEART with Kay Lynch
2020/01/23 23:21:12 +00:00 | Bryan Christopher
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Review: THE TURNING Hits Some Highs, But Falls Short in its Ending
2020/01/23 07:00:05 +00:00 | Heather Wixson
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Interview: Filmmaker Floria Sigismondi Discusses the Challenges of Making THE TURNING and More
2020/01/22 22:39:59 +00:00 | Heather Wixson
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Sundance 2020 Preview: Here’s a Look at This Year’s Genre Offerings
2020/01/22 20:34:32 +00:00 | Heather Wixson
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Interview: Richard Stanley on the Visual Challenges and Alien Influences on COLOR OUT OF SPACE
2020/01/22 19:41:58 +00:00 | Heather Wixson
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Interview: Co-Star Brooklynn Prince Talks THE TURNING
2020/01/21 20:04:23 +00:00 | Heather Wixson
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Interview: Mackenzie Davis on the Trauma and Horrors of THE TURNING
2020/01/20 22:40:58 +00:00 | Heather Wixson
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Drive-In Dust Offs: THE SNAKE WOMAN (1961)
2020/01/18 19:42:14 +00:00 | Scott Drebit
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Interview: Special Effects Artist Jason Baker on Collaborating with Tom Savini for SMOKE & MIRRORS Doc and Their Work for WWE
2020/01/15 22:34:57 +00:00 | Heather Wixson
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Exclusive: Tom Savini Studios to Create Special Effects for Slipknot Frontman Corey Taylor’s Upcoming Horror Film
2020/01/14 17:00:32 +00:00 | Heather Wixson
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Severin Blu-ray Reviews: GWENDOLINE (1984) and THE BOYS NEXT DOOR (1985)
2020/01/13 21:10:53 +00:00 | Scott Drebit
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