A few weeks back, I put together a list of a bunch of different outdoor decorations you can make in order to add some thrills and chills to your yards this Halloween season. Today, we have a great collection of DIY décor ideas that are perfect for inside your home, and some are even easy enough that kids can help out if they want to join in for the festivities.
One of the decade’s most surprising, uncomfortable genre films is Creep, in which Mark Duplass proves that his mumblecore charm has a very, very dark side. Helmed by and co-starring Patrick Brice, the no-budget film created dread and unease through simple character development—what easily could have been a melancholic comedy becomes a horror film in just the last few moments. It’s easy to understand why Blumhouse wanted to capitalize on that magic through a few more installments; but how do you follow up a film that is entirely based on the element of uncertainty? Brice and Duplass have answered that question, delivering a hilarious, disturbing sequel which improves on everything that made the first film fascinating.
Over the weekend, Creature Features in Burbank, California played host to an amazing panel called Creating Pennywise, which featured Tom Woodruff, Jr. and Alec Gillis from studioADI, as well as fellow legendary effects artist Bart Mixon, who was responsible for bringing the Tim Curry iteration of Pennywise to life for the 1990 IT miniseries.
The possibilities for experimentation within the bounds of horror cinema are endless. For every commercially accessible masterpiece, there’s also a bizarre, unorthodox experience waiting to confound viewers. At a festival where there are dozens of films that fall into both categories, this writer has found one of the most unusual offerings to be Hagazussa: A Heathen’s Curse, a slow-paced, profoundly atmospheric plunge into the nightmare of seclusion.
This Friday, Momentum Pictures is set to release Jungle, the latest from Greg McLean (The Belko Experiment, Wolf Creek 1 and 2), which tells the real-life story of Yossi Ghinsberg (played by Daniel Radcliffe), who traveled to the Amazon rainforest during the 1980s, and had to contend with the brutal dangers lurking all around him and his group of fellow travelers as they made their way through the unforgiving titular locale. Shortly after surviving his ordeal, Ghinsberg wrote a book about his experiences, which is also entitled Jungle, and McLean discussed in a recent interview with Daily Dead how he first discovered the autobiographical tale and knew that he needed to adapt it for the big screen.
Earlier this year, D.J. Caruso’s Disturbia turned 10 years old, and since I was already chatting with him for Happy Death Day, I could not resist chatting with Christopher Landon about the project, which became a turning point in his career as a then up-and-coming screenwriter with huge aspirations.
Richard Stanley has always marched to the beat of a unique drum. He hasn’t made very many narrative films (Hardware, Dust Devil) since arriving at the turn of the ’90s, but he has always fascinated due to his quirky spirit and dedication to the odd and unusual. And so it goes that his documentary The Otherworld (2013) follows a path true to his nature, but is shot with a touching sense of humanity in its look at strange phenomena and the people who embrace it.
Released in 2003, Park Chan-Wook’s Oldboy is often heralded as a cult favorite and masterpiece of Korean cinema. Venturing to emotional extremes with its grim violence and extraordinary sadomasochism, it is a film that is compulsive viewing for anyone with a petulance for gore or a good revenge story. As tense as it is tragic, Jo Yeong-wook’s composition work mirrors the film’s dark beauty—filled with melancholic moments and infectious melodies. Looking for a visual artist to complement the project, Milan Records enlisted the talents of Laurent Durieux, whose captivating, lucid style immaculately captured the overcast essence of the film.
If there’s one thing that’s almost as certain as death and taxes, it’s that as soon as the fall season hits, most folks go into Pumpkin Overload Mode, and for good reason. These popular gourds are not only a timeless symbol of Halloween, but they also offer up a wonderful flavor that’s great with savory and sweet treats. With that in mind, I rounded up these 10 pumpkin-themed recipes that should satisfy any cravings you may be having this October.
No! Don’t run away! Where’s your Halloween spirit? Yes, Halloweentown (1998) is a Disney Channel movie, but that in and of itself isn’t a bad thing; if you’re looking to introduce your kids to horror, it’s better to pitch them some underhands than speedy overhands. (I don’t really know baseball.) In a cynical and bitterly crumbling world, it’s nice to know that a bit of low-key innocent charm still exists.
The Creative Death sub-sub-genre took flight in the ‘70s with The Omen (1976), as that little imp Damien (and his dad) dispatched the cast in different macabre and entertaining ways. (Variety is the spice, and all that.) The ’78 sequel continued the burgeoning tradition, leading us up to The Legacy (1978) - a film that takes its own stab at variety by marrying The Old Dark House to The Dark Underlord and delivering a fun, wicked (albeit goofy) little offspring.
This past summer, I was invited to Dallas for the annual QuakeCon gaming celebration, and while there, I entered the haunted city of Union in an immersive demo for the new video game The Evil Within 2. After surviving the demo, I had the chance to sit down with some of the creative team from The Evil Within 2, including Tango Gameworks Studio Director Shinji Mikami (also known for his work on the Resident Evil video game series), Game Director John Johanas, and Writer Trent Haaga (Cheap Thrills, Deadgirl).
Continue reading to learn about expanding the world of the 2014 game, bringing back Sebastian Castellanos as a main character, and the emotional journey behind the surreal scares of the sequel, which is out now on PlayStation 4, Xbox One, and PC.
If I haven’t made it clear in previous articles or on social media, let me do so now: I’m a firm believer that Lucio Fulci is one of, if not the, greatest horror directors to ever live. While dismissed as a schlock artist by critics in his time, Fulci’s unique brand of horror, borne from a holy fusion of market-friendly gore and surrealist pure cinema, has aged remarkably well. But before he mingled among zombies or cracked open the gates of hell, Fulci directed a few violent giallo films, including the incredibly depressing Don’t Torture a Duckling, which recently received a new restoration and Blu-ray release from Arrow Video.
In terms of his horror trifecta of films—Paranormal Activity: The Marked Ones, Scouts Guide to the Zombie Apocalypse, and now Happy Death Day—I’m officially ready to start the Christopher Landon fan club. You couldn’t ask for three films to be more different from each other, and with every effort, Landon has proved himself to be a confident storyteller with a deep love of the genre in his work, and that affection has shone through with each of his cinematic endeavors.
In theaters today is Christopher Landon’s Happy Death Day, a horror comedy about a sorority girl who must contend with living out her death over and over again to figure out just who it is that is trying to kill her. Landon’s latest was produced by the fine folks over at Blumhouse Productions, and at a recent press day for their latest offering, Daily Dead had the opportunity to speak with producer Jason Blum.