Daily Dead
10 Must-See Contemporary Mexican Horror Films
2021/08/25 18:40:20 +00:00 | Justina Bonilla
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Catalog From The Beyond: NIGHTHAWKS [Class of 1981]
2021/08/25 17:51:32 +00:00 | Bryan Christopher
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Review: Nia DaCosta’s CANDYMAN (2021) is a Bold Reinvention of a Horror Icon
2021/08/25 16:00:14 +00:00 | Heather Wixson
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Class of 1981: THE MONSTER CLUB is Perfect Horror Movie Comfort Food for Monster Kids
2021/08/24 20:55:19 +00:00 | Jonathan James
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Interview: Co-Star Kyle Kaminsky Talks CANDYMAN (2021)
2021/08/24 20:45:27 +00:00 | Heather Wixson
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ALIEN: ISOLATION – Why It’s Worth (Re)Visiting Sevastopol Station
2021/08/24 20:30:40 +00:00 | Josh Smallwood
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Fantasia 2021 Interview: Director and FX Legend Phil Tippett on the 30-Year Journey of Making MAD GOD
2021/08/24 20:10:09 +00:00 | Heather Wixson
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Class of 1981: SATURDAY THE 14TH is a Humorous Love Letter to Horror Movies of Yesteryear
2021/08/24 17:26:55 +00:00 | Tamika Jones
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Fantasia 2021 Review: MARTYRS LANE is a Dark Fairytale of an Unsettling Haunting
2021/08/24 15:24:44 +00:00 | Sara Clements
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Class of 1981: Thanksgiving with the Loc-Nar – Remembering the First Time I Watched HEAVY METAL
2021/08/24 01:49:54 +00:00 | Derek Anderson
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Fantasia 2021 Interview: Family Filmmakers John Adams, Toby Poser, and Zelda Adams Discuss Their Latest Collaboration, HELLBENDER
2021/08/23 20:49:30 +00:00 | Heather Wixson
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Class of 1981: Celebrating 40 Years of Tobe Hooper’s THE FUNHOUSE
2021/08/23 19:03:38 +00:00 | Patrick Bromley
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Interview: Director Maximiliano Contenti Discusses the Influences Behind THE LAST MATINEE
2021/08/23 15:18:19 +00:00 | Heather Wixson
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Drive-In Dust Offs: OMEN III: THE FINAL CONFLICT [Class of 1981]
2021/08/21 15:29:57 +00:00 | Scott Drebit
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North Bend Film Fest 2021 Review: CRYPTOZOO is a Wondrous, Though Imperfect Journey
2021/08/20 21:26:55 +00:00 | Emily von Seele
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