Daily Dead
Sundance 2020 Review: SCARE ME Serves as a Hilarious Reminder of What Makes Horror Storytelling So Great
2020/01/27 21:43:25 +00:00 | Heather Wixson
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Sundance 2020 Review: Exploring the Horrors of Aging, RELIC is a Monstrously Impressive Debut from Natalie Erika James
2020/01/26 18:28:13 +00:00 | Heather Wixson
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Review: THE TURNING Hits Some Highs, But Falls Short in its Ending
2020/01/23 07:00:05 +00:00 | Heather Wixson
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Severin Blu-ray Reviews: GWENDOLINE (1984) and THE BOYS NEXT DOOR (1985)
2020/01/13 21:10:53 +00:00 | Scott Drebit
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Review: THREE CHRISTS is a Fascinating Exploration of the Mysteries of the Human Mind
2020/01/11 01:49:11 +00:00 | Sara Clements
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Review: UNDERWATER is an Entertaining Addition to the Aquatic Horror Genre (Monte’s Take)
2020/01/10 21:33:25 +00:00 | Monte Yazzie
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Review: THE GRUDGE (2020) is a Chilling and Often Poignant Tale of Terror
2020/01/03 17:00:03 +00:00 | Heather Wixson
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Severin Blu-ray Reviews: WEREWOLF IN A GIRLS’ DORMITORY (1961) and BYLETH (1972)
2019/12/23 20:16:54 +00:00 | Scott Drebit
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Blood in the Snow Film Festival 2019 Review: Z is a Ruthless Manifestation of a Mother’s Trauma
2019/12/04 21:02:22 +00:00 | Lindsay Traves
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Review: Rian Johnson’s KNIVES OUT is a Pitch-Perfect Murder Mystery
2019/11/26 17:20:06 +00:00 | Heather Wixson
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Blu-ray Review: WAX MASK (1997)
2019/11/16 00:56:54 +00:00 | Scott Drebit
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Review: THE SWERVE Explores the Brutality of Womanhood
2019/11/12 23:48:00 +00:00 | Zoey Hickman
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Blu-ray Review: KILLER CROCODILE (1989)
2019/11/12 19:07:06 +00:00 | Scott Drebit
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Toronto After Dark Film Festival 2019 Review: PARADISE HILLS is the Fluffy Pink Science Fiction Thriller of Your Dreams
2019/11/11 22:29:22 +00:00 | Lindsay Traves
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Indie Memphis Film Festival 2019 Review: COLD FEET is a Bachelor Party Weekend That Takes a Ghostly Turn
2019/11/07 19:42:26 +00:00 | Emily von Seele
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