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Tribeca 2022 Review Round-Up: ATTACHMENT and SPACE ODDITY
2022/07/02 15:07:02 +00:00 | Heather Wixson
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Review: BRUCE is the JAWS Musical You Never Knew You Needed
2022/07/01 17:32:16 +00:00 | Emily von Seele
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Review: THE PASSENGER Takes Us on a Wild Road Trip
2022/06/29 16:33:09 +00:00 | Emily von Seele
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Chattanooga Film Festival 2022 Review: THE OUTWATERS Immerses You in a Blood-Soaked Nightmare
2022/06/29 16:19:33 +00:00 | Michelle Swope
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Chattanooga Film Festival 2022 Review: THE ONES YOU DIDN’T BURN is a Mesmerizing, Visually Haunting Story of Revenge
2022/06/28 15:56:25 +00:00 | Michelle Swope
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Chattanooga Film Festival 2022 Review: THE CREEPING Makes Ghosts in Sheets Scary Again
2022/06/27 14:38:36 +00:00 | Michelle Swope
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Chattanooga Film Festival 2022 Review: BREATHING HAPPY is a Magical, Breathtaking Story of Recovery
2022/06/26 14:49:42 +00:00 | Michelle Swope
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Chattanooga Film Festival 2022 Review: THE LEECH Wishes You a Bawdy Merry Christmas
2022/06/25 15:56:01 +00:00 | Michelle Swope
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Review: GATLOPP Offers Something Fun and Inventive with Each Roll of the Dice
2022/06/22 15:13:26 +00:00 | James Doherty
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Tribeca 2022 Review: Travis Stevens’ A WOUNDED FAWN is a Cinematic Reckoning with a Greek Twist
2022/06/14 18:36:43 +00:00 | Heather Wixson
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Tribeca 2022 Review: Michelle Garza Cervera Paints a Terrifying Portrait of Motherhood and the Loss of Identity in HUESERA
2022/06/13 18:40:06 +00:00 | Heather Wixson
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Tribeca 2022 Review: Pure Suffering is on the Menu in Peter Hengl’s FAMILY DINNER
2022/06/12 15:50:05 +00:00 | Heather Wixson
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Tribeca 2022 Review: NEXT EXIT is a Beautifully Bittersweet Examination of Humanity’s Quest for Meaning 
2022/06/12 15:44:49 +00:00 | Heather Wixson
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Overlook 2022 Review: FLUX GOURMET is More Flavorful Obscurity Du Jour From Peter Strickland
2022/06/10 17:18:50 +00:00 | Matt Donato
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Overlook 2022 Review: SHAKY SHIVERS is a Cute And Sweet Gateway Horror Treat
2022/06/07 21:21:37 +00:00 | Matt Donato
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