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Sundance 2026 Review: MUM, I’M ALIEN PREGNANT is a Gooey Little Sci-Fi Miracle
2026/01/24
16:38:09 +00:00
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Matt Donato
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Review: RETURN TO SILENT HILL is No Warm Welcome
2026/01/21
16:02:56 +00:00
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Matt Donato
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Review: KILLER WHALE is a Titanic Failure of the Aquatic-Horror Subgenre
2026/01/16
20:36:35 +00:00
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Matt Donato
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Review: Nia DaCosta’s 28 YEARS LATER: THE BONE TEMPLE is a Splendid Step-Up from Its Predecessor
2026/01/13
21:01:37 +00:00
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Matt Donato
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Review: THE PLAGUE Unleashes the Horrors of Adolescent Bullying
2025/12/29
17:07:55 +00:00
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Matt Donato
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Review: DUST BUNNY is a Delightful Action-Horror Romp
2025/12/11
13:17:03 +00:00
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Matt Donato
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Review: FIVE NIGHTS AT FREDDY’S 2 Relies Too Much on Frustrating Video Game Logic
2025/12/04
18:35:28 +00:00
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Amelia Emberwing
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Review: Rian Johnson Pits Faith Against Facts in Thrilling Fashion in WAKE UP DEAD MAN
2025/11/26
16:13:39 +00:00
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Matt Donato
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“Monte’s Take” Review: THE RUNNING MAN (2025)
2025/11/17
19:43:53 +00:00
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Monte Yazzie
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Review: THE CREEP TAPES Season 2 Is Back With a Fierce Bite
2025/11/14
15:39:55 +00:00
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Matt Donato
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Review: Osgood Perkins’ KEEPER is a Haunted, Yet Underdeveloped, Nightmare
2025/11/13
17:10:44 +00:00
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Matt Donato
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“Monte’s Take” Review: PREDATOR: BADLANDS
2025/11/10
13:16:51 +00:00
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Monte Yazzie
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Review: PREDATOR: BADLANDS is a Winning Franchise Recalibration
2025/11/05
16:07:20 +00:00
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Matt Donato
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Brooklyn Horror Film Festival 2025 Review: DON’T LEAVE THE KIDS ALONE is a Brutal Parental Nightmare
2025/11/03
14:36:53 +00:00
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Matt Donato
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Review: OTHER Might Be Scary, But It’s Going Nowhere
2025/10/28
14:33:57 +00:00
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Matt Donato
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