Horror at the Box Office

2011/05/01 18:58:17 +00:00 | Jonathan James

Insidious continues to impress at the US box office, holding at number 7. The film earned an estimated $2,687,000 this weekend, bringing its domestic total to $48,307,000. We reported earlier this week that Insidious is currently the most profitable movie of the year, earning around $80 million globally and costing less than $1.5 (other reports state 1m) million to produce.

Scream 4 was bumped out of the top ten, earning $2,167,000 this weekend. With a total domestic earning of $35,484,000 , Scream 4 isn't the runaway success that Dimension was hoping for, but don't count this one out. By the time foreign theatrical and DVD/Blu-ray sales are factored in, Scream 4 should still earn enough to make it profitable. For the fourth film in a horror franchise, this isn't a horrible showing.

Dylan Dog: Dead of Night opened this weekend on only 875 screens (compared to the usual 3,000+ for a wide release), but still disappointed at the box office at 16th place. It earned $885,000 this weekend, with poor reviews and poor word of mouth slowing down ticket sales.

The number one movie was Fast Five, which earned $83,630,000. It broke multiple records at the box office, including being the biggest opening for a Universal release. Next week's big release is Thor, which has already opened overseas, but will start showing in the US on May 6th.

  • Jonathan James
    About the Author - Jonathan James

    After spending more than 10 years as a consultant in the tech and entertainment industry, Jonathan James launched Daily Dead in 2010 to share his interest in horror and sci-fi. Since then, it has grown into an online magazine with a staff of writers that provide daily news, reviews, interviews, and special features.

    As the Editor-in-Chief of Daily Dead, Jonathan is responsible for bringing the latest horror news to millions of readers from around the world. He is also consulted with as an expert on zombies in entertainment and pop culture, providing analyses of the zombie sub-genre to newspapers, radio stations, and convention attendees.