Editorial: The Horror of Legibility
[Editorial] The Horror of Legibility: Queer Visibility and Family in Mae Martin’s WAYWARD
Mae Martin’s Wayward opens with a kind of horror that doesn’t announce itself. There are no phantoms creeping down hallways, no dramatic stingers on the soundtrack; just the slow, suffocating dread of being perceived. From the pristine menace of Tall Pines Academy to the too-perfect small town that hosts it, everything looks ordinary enough to […]
2025/12/17 14:15:59 +00:00 | Vinnie C.
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