April 21st is another big day for genre fans looking to add to their home entertainment collections, as we’ve got a bounty of titles heading our way this Tuesday. The good folks over at Scream Factory are keeping busy with the release of several great Blu-rays, including their Collector’s Edition of John Carpenter’s Escape From New York and their Ghoulies double feature. Joe Lynch’s Everly and the film fest sensation A Girl Walks Home Alone at Night are also making their way to Blu-ray and DVD this week, and we’ve got a TON of indie titles arriving Tuesday to look forward to, including the latest from the great Jeffrey Combs, Motivational Growth. Read More

2015/04/21 01:48:13 UTC by Heather Wixson

Lucio Fulci’s 1980 film The Beyond is largely regarded as his masterpiece, and it’s hard to disagree with that sentiment. The Italian filmmaker had a long and varied career working across a number of genres, including fantasy, westerns and, most famously and frequently, horror. The Beyond finds him in total control of both his obsessions and his abilities, blending his penchant for nightmare logic, abstract formalism and, of course, gushy, gushy gore. Fulci gotta Fulci. Read More

2015/04/20 18:47:55 UTC by Patrick Bromley


Before he helmed 2014's Godzilla, Gareth Edwards wrote and directed the 2010 cult film, Monsters. A character-driven love story with its titular alien entities effectively placed in the background for most of the movie's runtime, Monsters takes a unique approach to the creature feature subgenre, as does its sequel, Monsters: Dark Continent. With the follow-up film to Monsters now out in theaters and available on VOD from RADiUS, we had a chance to talk with the movie's co-writer and director, Tom Green, who discussed shooting in the Jordanian desert, realistically portraying military life, the large potential of the Monsters franchise, and much more. Read More

2015/04/18 21:58:27 UTC by Derek Anderson


1981 was an amazing year for horror. An American Werewolf in London. The Beyond. The Evil Dead. The Funhouse. The Howling. The list goes on and on. However, one that always seems to fall through the cracks of time and memory is Dead & Buried. Read More

2015/04/18 00:08:03 UTC by Scott Drebit


Late last year, moviegoers followed Dr. Holden and his collegues into the ancient corridors of a cursed tomb in Grégory Levasseur's The Pyramid, now available to watch on Digital HD from Twentieth Century Fox Home Entertainment, with a Blu-ray and DVD release slated for May 5th. With viewers now able to explore the creepy confines of The Pyramid from the comfort of their couches, we caught up with Levasseur to discuss intertwining horror with Ancient Egyptian culture, revisiting The Hills Have Eyes shooting location, filming in tight spaces, and much more. Read More

2015/04/17 16:08:43 UTC by Derek Anderson


Tapping into the dangers of evolving technology and how detrimental social media can be when used for bullying is Unfriended. The surprisingly intense cyber-thriller follows a group of friends on the one-year anniversary of the suicide of one of their classmates who took her life after being relentlessly tormented after an embarrassing video of her was released online. As they begin Skyping with each other and immersing in the usual nonsensical teenage drama and chit-chat, something sinister has joined in on the fun and wants to play a deadly game where whoever loses will pay the ultimate price. Read More

2015/04/16 21:15:53 UTC by Heather Wixson


Could anyone have guessed when Stephen King published his first novel Carrie in 1974 that it would spawn no fewer than four big screen adaptations? Brian De Palma’s 1976 version remains the first and best, but each subsequent filmmaker who comes at the material seeks to find something new and unexplored in King’s book. Of the two remakes and one sequel released in the last 16 years, only one movie has succeeded in being different enough to justify its own existence. It’s The Rage: Carrie 2, and it’s being packaged with the 2002 made-for-TV remake on a new double feature Blu-ray from Scream Factory. Read More

2015/04/16 16:17:55 UTC by Patrick Bromley


Feeling wide awake while asleep, she can't move... and she's not alone. Anna Parker's sleep paralysis strikes with a supernatural slant in Echoes, the feature film writing and directing debut of Nils Timm. With Echoes now available on Blu-ray and DVD from Anchor Bay Entertainment, we had a chance to talk with Timm, who discussed taking a unique approach to the haunted house sub-genre, portraying the different social masks people wear in real life, his personal brush with sleep paralysis during filming, and much more. Read More

2015/04/15 17:02:49 UTC by Derek Anderson

Around the time I brought this Vestron Video release home from my local video store, I had an adolescent fascination with how the punk rock subculture that influenced my development had been portrayed in the media. In everything from video games to television and films, punk rockers were mostly portrayed as villains. There was a mythological aura surrounding the way these rebellious thugs were portrayed and it's clear in Class of 1984 that filmmaker Mark L. Lester (Commando) had a similar fascination and knew that pushing the legend made for better cinema. Read More

2015/04/15 00:11:25 UTC by Sean McClannahan


Though it’s often remembered as one of the many Gremlins rip-offs of the ‘80s, Ghoulies has its origins in 1983 (or a year before Gremlins hit screens), when producer Charles Band and creature effects guru Stan Winston dreamed up a film called Beasties about a bunch of small creatures wreaking havoc on a group of young people. It underwent some changes on the way to the screen: rather than Band directing as originally planned, the film would be helmed by actor Luca Bercovici, who had previously worked for Band on 1982’s Parasite. Stan Winston would not design the creatures, either; those duties fell to John Carl Buechler. And despite what its title might suggest, there wouldn’t end up being very many ghoulies in Ghoulies. Read More

2015/04/11 18:16:19 UTC by Patrick Bromley