After producing Bong Joon Ho's Oscar-winning Parasite, CJ Entertainment is teaming up with Ari Aster and Lars Knudsen’s Square Peg production partnership to produce a remake of 2003's Save the Green Planet!, with the original film's director Joon-hwan Jang returning to helm the English-language reimagining from a screenplay by Will Tracy:
Press Release: CJ Entertainment, Korea’s leading entertainment conglomerate, and producer of Bong Joon-ho’s ground-breaking, multiple Oscar®-winning film PARASITE, has identified its next English language remake, announcing today that the company will finance and produce an English language remake of genre bending Korean film SAVE THE GREEN PLANET!, alongside Ari Aster and Lars Knudsen’s Square Peg production banner (MIDSOMMAR, HEREDITARY).
A film that has achieved modern cult classic status since its release in 2003, the uniquely offbeat, black comedy, sci-fi thriller SAVE THE GREEN PLANET! was written and directed by Joon-hwan Jang (CJ Entertainment's 2017 political thriller 1987: WHEN THE DAY COMES), and lived up to its promise as something nobody has seen before, or can describe easily. Jang is attached to direct the English language remake. Will Tracy (HBO’s SUCCESSION, Searchlight’s THE MENU) has been tapped to write the adapted screenplay.
Executive producers are CJ Group Vice Chairwoman Miky Lee, CJ Entertainment’s Young-ki Cho and Jerry Ko. Producers are Francis Chung, CJ’s Head of U.S. Productions, Ari Aster (director and writer of HEREDITARY and MIDSOMMAR) and Lars Knudsen (producer of MIDSOMMAR and HEREDITARY, among others).
Fred Lee, CJ Entertainment’s Los Angeles-based Director of Development, Ini Chung, CJ’s Seoul-based Director of Development, and Seoul-based Production Executive Khan Kwon are co-producing and will oversee development of the project.
SAVE THE GREEN PLANET garnered global acclaim upon its release, and through the film festival circuit, for its inventiveness as an offbeat, shocking, darkly humorous, suspenseful, apocalyptic mashup that moves at warp speed.
In the original film, Joon-hwan Jang imagines the fate of the human race hinging on Byun-gu, a bitter, paranoid and eccentric beekeeper who, with the help of his tightrope walker girlfriend, Sooni, kidnaps a powerful and successful businessman, Man-sik. Byun-gu believes that Man-sik is an alien from the planet Andromeda, one of many hiding among us and plotting to destroy the Earth in a few days. Amphetamine-popping Byun-gu sees himself as the planet's last hope, and sets about torturing Man-sik with relish, trying to convince him to contact the "Royal Prince" and call off Armageddon. A battle of wits and wills ensues, with Man-sik trying to convince his captors that he's human and attempting to escape. Man-sik recognizes Byun-gu as a disgruntled former employee whose comatose mother suffers from a mysterious illness. It begins to seem that Byun-gu's true motivation may be personal, but he's still ruthlessly determined to get Man-sik to confess and cooperate, even if he has to risk killing him. Meanwhile, a dishevelled detective, Chu, and his young acolyte, Inspector Kim, discover that the person who kidnapped Man-sik may have struck several times before, always with deadly results.
Said Miky Lee, “One thing we learned from our success with PARASITE is that audiences globally are excited to see genre-bending films with big themes. Jang is a master of this in his own right, and we’re so glad to be working alongside Ari, Lars, and Will to help translate what made the original so special to an English language version that feels relevant to what’s going on today.”
Commented Ari Aster and Lars Knudsen, “Swinging with youthful abandon between white-knuckle suspense, absurd slapstick, grim horror and a deeply felt (and earned) sense of tragedy, SAVE THE GREEN PLANET is one of the most remarkable films to come out of South Korea - among this recent wave or any wave, for that matter. When we heard that director Jang was passionate about revisiting this iconic work, bringing it to the US and updating it to reflect the mess of the world today (which feels even more ripe for this kind of apocalyptic skewering than when the film was first released), we leapt at the chance to be a part of it. We're honored to be partnering with CJ and with the brilliant director Jang.”
Adam Mehr at McCathern Law negotiated the remake deals on behalf of CJ Entertainment. Will Tracy is represented by WME and Hansen Jacobson.
SAVE THE GREEN PLANET! joins a rapidly expanding slate of originals and English language remakes for CJ Entertainment, which over the last two years has amounted to over 20 films in development and/or various stages of production and release. Following the historic critical and commercial success of PARASITE, which included four Academy Award® wins, including BEST PICTURE, CJ’s upcoming films include EXTREME JOB, which is one of two current collaborations with Kevin Hart and Universal Pictures on English language remakes of Korean hits - the other being the female-driven dramedy, BYE, BYE, BYE, based on the Korean hit titled SUNNY.
Additional film projects at CJ include Academy Award® nominee Phyllis Nagy’s THE VANISHED; Drake Doremus’ AURORA; the horror film HOUSEMAID, being written by Academy Award® winner Geoffrey Fletcher; an English-language remake of South Korean box office hit THE MERCILESS - a CJ Entertainment produced and distributed crime thriller that redefined a genre; and HIDE AND SEEK, directed by Joel David Moore and starring Jonathan Rhys Meyers - a remake of the 2013 Korean social horror-thriller that was a monster hit.
CJ’s latest film ENDINGS, BEGINNINGS, directed by Drake Doremus and starring Shailene Woodley, Jamie Dornan and Sebastian Stan, is currently in release through Samuel Goldwyn Films. Meanwhile, the company is currently in post-production on PRESS PLAY - Greg Björkman’s music-driven romantic drama starring Clara Rugaard, Lewis Pullman, Lyrica Okano and Danny Glover, produced alongside Jonathan Schwartz, Josh Boone and Logan Lerman.
About CJ Entertainment
CJ Entertainment is the film studio of CJ ENM Corporation, Korea’s leading entertainment conglomerate, consisting of film, broadcasting, music, performance and animation divisions. Since 1995, CJ Entertainment has provided original, award-winning content - across an array of genres, including drama, comedy, action, sci-fi/horror and special interest.
The cornerstone of the Korean entertainment industry - boasting the country's largest and most significant library, with nearly 400 films - CJ Entertainment is also a singular presence throughout Asia, Europe and in the U.S., producing, financing and distributing local content in those respective territories. Top films include Bong Joon-ho’s ground-breaking, multiple Oscar®-winning film “Parasite,” “Mother,” “The Good, the Bad, the Weird,” “The Handmaiden,” “Sweet 20,” “Satan’s Slaves,” and “Snowpiercer,” to name a few.
CJ Entertainment most recently launched a new specialty genre label – 413 Pictures - under which all CJ Entertainment genre films, with a focus on elevated thriller and supernatural horror films, will be released. Beyond the launch of 413 Pictures, 2018 has been a very active year for CJ Entertainment.
For more information, please visit: http://www.cjenm.com/business/film
Raised on a steady diet of R.L. Stine’s Goosebumps books and Are You Afraid of the Dark?, Derek has been fascinated with fear since he first saw ForeverWare being used on an episode of Eerie, Indiana.
When he’s not writing about horror as the Senior News Reporter for Daily Dead, Derek can be found daydreaming about the Santa Carla Boardwalk from The Lost Boys or reading Stephen King and Brian Keene novels.
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