Daily Dead
Toronto After Dark 2022 Review: HERE FOR BLOOD is Immensely Stupid and Fun as Hell
2022/11/03 19:19:36 +00:00 | Lindsay Traves
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Toronto After Dark Film Festival 2022 Review: MEXZOMBIES Blends Blood and Sunshine for a Delightful Take on the Impending Apocalypse
2022/10/26 02:17:22 +00:00 | Lindsay Traves
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Fantasia 2020 Interview: Director Natasha Kermani on LUCKY and Moving from the “Final Girl” to the “Final Cynical 20th Century Woman”
2020/08/28 16:13:23 +00:00 | Lindsay Traves
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Fantasia 2020 Interview: Brea Grant on 12 HOUR SHIFT, LUCKY, and How Her Experience as a Woman in Film Shapes Her Work
2020/08/26 20:28:49 +00:00 | Lindsay Traves
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Review: DIABLO ROJO PTY is the Most Charming and Adorable Film About Baby-Eating Witches
2020/05/15 15:44:43 +00:00 | Lindsay Traves
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Review: TRANSFERENCE
2020/05/11 14:22:54 +00:00 | Lindsay Traves
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Review: SHE’S ALLERGIC TO CATS is a Meta Trip That’ll Make You Want to Vacuum
2020/05/08 15:55:36 +00:00 | Lindsay Traves
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Blood in the Snow Film Festival 2019 Review: Z is a Ruthless Manifestation of a Mother’s Trauma
2019/12/04 21:02:22 +00:00 | Lindsay Traves
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Toronto After Dark Film Festival 2019 Review: PARADISE HILLS is the Fluffy Pink Science Fiction Thriller of Your Dreams
2019/11/11 22:29:22 +00:00 | Lindsay Traves
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Toronto After Dark Film Festival 2019 Interview: Robert Kazinsky Discusses THE ASSENT and Reflects on PACIFIC RIM, WARCRAFT, and TRUE BLOOD
2019/11/04 23:15:31 +00:00 | Lindsay Traves
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Review: ZOMBIELAND: DOUBLE TAP is a Surprising Blast and an Ultimate Midnighter
2019/10/21 16:08:58 +00:00 | Lindsay Traves
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TIFF 2019 Interview: Writer/Director Keith Thomas Discusses Combining Jewish Heritage with Demon Lore for THE VIGIL
2019/09/18 18:38:41 +00:00 | Lindsay Traves
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Impressions: IT’S ALIVE! CLASSIC HORROR AND SCI-FI ART FROM THE KIRK HAMMETT COLLECTION at the Royal Ontario Museum
2019/09/04 22:19:35 +00:00 | Lindsay Traves
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