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FrightFest 2026 Review: BLOOD SECRET Suffers From a Lack of Suspense

2026/09/10 18:11:45 +00:00 | James Doherty

Blood Secret has a simple premise, which is perfect for a low-budget film—two friends, one location, and lots of secrets and lies to uncover. However, a minimal setup like this requires great chemistry between its two leads, an incisive script, and a story that neatly unfolds. Unfortunately, Blood Secret doesn’t contain all the ingredients needed.

Madison (Tiana Akers) visits her long-time friend Anna (Katherine Lozon) for dinner in a bid to reconnect; the once-close college friends have drifted apart after the untimely death of their mutual friend Nadine, who was found dead, washed up on a beach after a college party 15 years prior. Both women blame themselves for the tragic accident, and each has her own reason to be engulfed in guilt.

As the pair drink, reminisce, and start to peel the bandage off an old, deep wound, old secrets, regrets, and ghosts from the past come out of the shadows. Madison starts to encounter paranormal activity and sees warning signs that she may not be entirely safe in her old friend’s home. With visions, lingering guilt, and paranoia in her eyeline, Madison questions if she can trust Anna—but with Madison’s increasingly erratic behavior, Anna starts to question if she can trust Madison as well.

Blood Secret is billed as "John Carpenter-inspired widescreen," but as soon as one comparison is made to the Master of Horror, others will follow—especially when the story tries to build suspense so that all the banked and stored angst and tension can be unleashed in the final 15 minutes. However, the suspense simply isn’t there when it’s time for everything to be revealed.

Blood Secret is built around Madison and Anna’s relationship and their growing suspicions and accusations as the night progresses; a lot is placed on the shoulders of Katherine Lozon and Tiana Akers to carry everything. Their jobs are made harder by too many questionable and comical scenes—such as supernatural sightings of Anna’s partner—and eerie occurrences involving burnt, shrivelled pasta. It’s all a little too much for them to shoulder, despite their best efforts.

With the twists, turns, and borderline supernatural activity, there was an opportunity for an incisive music score to punctuate revelations, slowly build atmosphere, and take some of the weight off the two leads. A great score can become its own character, its presence as important as anyone else on screen, but this is another element that is missing.

At one point, it is revealed that their food delivery driver’s name is "Steve-O." The pair question if it is Steve-O from Jackass and whether Madison should date him. The attempt to display rapport and banter between Madison and Anna is awkward and does the exact opposite of what it was intended to do: establish their friendship. When Steve-O arrives, he turns out to be an overly enthusiastic "acting guru" who tries to engage Madison in on-the-spot improv. This attempt at comic relief comes at the wrong time, lingers for too long, and drains any tension that was being built. This is a recurring theme throughout – it happens again when Bob the neighbour tries to move a car that is blocking his driveway.

Despite its best efforts, Blood Secret falls flat and doesn’t reach the high levels of tension needed. Too many scenes come across as comical—even when intended to be serious—and by the time all secrets are laid bare, interest has completely dropped off.

Movie Score: 1.5/5

  • James Doherty
    About the Author - James Doherty

    James is a life-long horror fan since coming across Halloween on late-night TV, when he was 9 years-old. He was too scared to watch it all the way through, so when things got too scary he changed the channel. When he worked up the courage he would switch back to Halloween. This happened several times. He has previously written for GoreZone magazine in the UK and the Evolution of Horror.

  • James Doherty
    About the Author : James Doherty

    James is a life-long horror fan since coming across Halloween on late-night TV, when he was 9 years-old. He was too scared to watch it all the way through, so when things got too scary he changed the channel. When he worked up the courage he would switch back to Halloween. This happened several times. He has previously written for GoreZone magazine in the UK and the Evolution of Horror.