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Fantasia Film Festival 2022 Review: HONEYCOMB is a Unique Coming-of-Age Film from a New Voice
2022/07/28 22:43:32 +00:00 | Emily von Seele
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Review: HE’S WATCHING is a Creative Foray into Low Budget Madness
2022/07/20 20:06:47 +00:00 | Emily von Seele
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Fantasia Fest 2022 Review: Dark Nature is a Journey Through Wilderness and Trauma
2022/07/20 18:53:00 +00:00 | Emily von Seele
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Review: AFTER BLUE is a Fever Dream that Doesn’t Want to End
2022/07/15 14:28:26 +00:00 | Emily von Seele
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Review: GOOD MADAM Depicts a Different Kind of Haunting
2022/07/14 16:04:57 +00:00 | Emily von Seele
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Review: BRUCE is the JAWS Musical You Never Knew You Needed
2022/07/01 17:32:16 +00:00 | Emily von Seele
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Review: THE PASSENGER Takes Us on a Wild Road Trip
2022/06/29 16:33:09 +00:00 | Emily von Seele
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Indie Horror Month 2022: Celebrating BLOODTHIRSTY – A Kickass Werewolf Movie with a Killer Soundtrack
2022/04/25 20:05:29 +00:00 | Emily von Seele
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Indie Horror Month 2022: BRAID and the Female Space
2022/04/11 19:13:33 +00:00 | Emily von Seele
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Interview: THE LONG WALK Director Mattie Do
2022/03/04 21:21:37 +00:00 | Emily von Seele
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Emily’s Favorites of 2021
2022/01/10 21:15:08 +00:00 | Emily von Seele
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Nightstream 2021 Review: LANDLOCKED is a Minimalist, Haunting Look at Memory
2021/10/22 20:10:29 +00:00 | Emily von Seele
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Review: DETENTION is a Frightening and Resonant Story of Hope
2021/10/20 17:49:04 +00:00 | Emily von Seele
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Nightstream 2021: COSMIC DAWN is a Fascinating Search for Truth
2021/10/14 16:35:20 +00:00 | Emily von Seele
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Nightstream 2021: TO THE MOON is a Character-Driven Pressure Cooker
2021/10/13 22:36:47 +00:00 | Emily von Seele
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