Daily Dead
Review: HEART EYES is a Nasty Romantic Slasher That Leaves Its Mark on the Holiday Horror Scene
2025/01/30 14:05:05 +00:00 | Matt Donato
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Sundance 2025 Review: OPUS Sings a Familiar Culty Tune
2025/01/29 18:09:38 +00:00 | Matt Donato
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Sundance 2025 Review: TOUCH ME is a Psychosexual, Tentacle-Filled Stunner
2025/01/29 07:04:33 +00:00 | Matt Donato
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Sundance 2025 Review: TOGETHER is a Simple Yet Successful Body Horror Debut
2025/01/28 22:45:58 +00:00 | Matt Donato
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Sundance 2025 Review: THE UGLY STEPSISTER is a Smashing Body-Horror Debut for Emilie Blichfeldt
2025/01/24 19:33:11 +00:00 | Matt Donato
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Review: GRAFTED is a Gross and Glamorous Feature Debut from Sasha Rainbow
2025/01/22 23:08:47 +00:00 | Matt Donato
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Review: COMPANION Crafts a Cozy Anti-Rom-Com Story
2025/01/22 17:00:27 +00:00 | Matt Donato
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Review: Leigh Whannell’s WOLF MAN is a Weak Transformation
2025/01/15 17:00:13 +00:00 | Matt Donato
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Matt’s Favorites of 2024
2024/12/31 16:14:39 +00:00 | Matt Donato
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Review: THE INVISIBLE RAPTOR is the Wildest Creature Feature of the Year
2024/12/06 20:45:41 +00:00 | Matt Donato
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Review: WEREWOLVES Satiates Our Hunger for Werewolf Combat
2024/12/06 20:16:06 +00:00 | Matt Donato
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Review: Robert Eggers’ NOSFERATU is a Ferocious and Emotional Gothic Vampire Tale
2024/12/02 21:30:15 +00:00 | Matt Donato
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Review: RITA is a Gorgeously Grim Fairy Tale About True Events
2024/11/20 18:07:10 +00:00 | Matt Donato
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Review: STREET TRASH (2024) is a Neon-Juicy Homage That Lacks Consistency
2024/11/20 16:26:50 +00:00 | Matt Donato
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Review: BLACK CAB’s Transportation Ghost Story is a Bumpy Ride
2024/11/12 21:11:26 +00:00 | Matt Donato
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