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TIFF 2019 Review: PELICAN BLOOD is a Unique Mother-Daughter Narrative About the Power of a Parent’s Love
2019/09/17
15:58:53 +00:00
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Sara Clements
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Review: RIOT GIRLS Introduces the Gay Avengers of the Apocalypse
2019/09/10
20:05:00 +00:00
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Sara Clements
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TIFF 2019 Review: CLIFTON HILL Takes Influence from VIDEODROME in Its Tale of Intrigue
2019/09/09
17:10:38 +00:00
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Sara Clements
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Review: GWEN is Heavy on Atmosphere, But Lacks True Scares
2019/08/15
15:14:57 +00:00
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Sara Clements
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Fantasia 2019 Review: THE WRETCHED Is One of the Year’s Best Scares
2019/07/20
17:03:48 +00:00
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Sara Clements
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Fantasia 2019 Review: KNIVES AND SKIN’s Lack of Focus Is Its Own Mystery
2019/07/19
15:30:29 +00:00
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Sara Clements
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Fantasia 2019 Review: THE ART OF SELF-DEFENSE is Like SUSPIRIA, But with Karate
2019/07/13
18:34:23 +00:00
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Sara Clements
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Fantasia 2019: Five Female-Centric Films We Can’t Wait to See
2019/07/08
15:50:55 +00:00
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Sara Clements
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Latest Reviews
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Special Features
Interview: Discussing the Zombies of COLONY with Director / Co-Writer Yeon Sang-ho
Q&A: Jonathan Janz Discusses the Small-Town Setting and Real-Life Inspiration Behind His New Horror Novel MARLA
Interview with ALIENS: FIRETEAM ELITE 2 Developer Cold Iron Studios
Selling The Fear: SHOCK TREATMENT is the Time-Warped Rocky Horror Sequel That Turned Out to Be a Prophecy
Exclusive Interview with Judith O’Dea and Photos from NIGHT OF THE LIVING DEAD: THE OFFICIAL STORY OF THE FILM
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Editor's Choice
Exclusive Interview with Judith O’Dea and Photos from NIGHT OF THE LIVING DEAD: THE OFFICIAL STORY OF THE FILM
Interview: Michael Biehn Hypes Adam Wingard’s ONSLAUGHT, Discusses Re-Uniting with Arnold Schwarzenegger on THE KELLYS, and Reflects on 40 Years of ALIENS
[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
Editorial: The Church is the Quiet Terror in Exorcism Films
[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
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