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Interview: Co-Writer Ed Solomon Talks BILL & TED FACE THE MUSIC
2020/08/27 15:07:21 +00:00 | Heather Wixson
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Fantasia 2020 Review: KRIYA is a Draining Downward Spiral
2020/08/27 03:52:31 +00:00 | Caitlin Kennedy
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Fantasia 2020 Review: BLEED WITH ME Plays with the Frightening Tricks of the Mind 
2020/08/27 03:21:31 +00:00 | Sara Clements
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Celebrating the Sweet, Pure, and Endlessly Sincere Friendship in BILL & TED’S BOGUS JOURNEY
2020/08/26 22:08:53 +00:00 | Patrick Bromley
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Fantasia 2020 Interview: Brea Grant on 12 HOUR SHIFT, LUCKY, and How Her Experience as a Woman in Film Shapes Her Work
2020/08/26 20:28:49 +00:00 | Lindsay Traves
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Fantasia 2020 Review: UNEARTH Explores the Real-Life Horrors of Small Town America
2020/08/26 03:51:37 +00:00 | Heather Wixson
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Celebrating the Other Time Travelers in BILL & TED’S EXCELLENT ADVENTURE
2020/08/25 21:59:14 +00:00 | Heather Wixson
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Interview: William Sadler on Reprising His Role as Death for BILL & TED FACE THE MUSIC
2020/08/24 16:39:13 +00:00 | Heather Wixson
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Review: YOU CANNOT KILL DAVID ARQUETTE is One of the Best Documentaries (and Films) of the Year
2020/08/24 14:59:27 +00:00 | Heather Wixson
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Fantasia 2020 Review: THE CURSE OF AUDREY EARNSHAW is an Unflinching Folk Horror Tale
2020/08/23 16:23:11 +00:00 | Heather Wixson
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Fantasia 2020 Review: Brea Grant’s 12 HOUR SHIFT is a Viciously Entertaining Dark Comedy
2020/08/23 16:10:36 +00:00 | Heather Wixson
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Fantasia 2020 Review: THE RECKONING is an Epic Examination of the Witch Trials
2020/08/22 14:58:50 +00:00 | Sara Clements
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Fantasia 2020 Review: PVT CHAT is a Tragic Love Story for Now
2020/08/21 20:50:28 +00:00 | Caitlin Kennedy
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Review: THE PALE DOOR is a Terrific Genre Mashup
2020/08/21 19:56:29 +00:00 | Patrick Bromley
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Fantasia 2020 Review: SPECIAL ACTORS is Another Triumphant Storytelling Feat from Shinichiro Ueda
2020/08/21 03:51:06 +00:00 | Heather Wixson
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