Daily Dead
SXSW 2025 Review: REDUX REDUX Sets Vengeance On Repeat In This Bloody Time Loop Thriller
2025/03/09 06:00:01 +00:00 | Matt Donato
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SXSW 2025 Review: GOOD BOY is a Rousing Success That Defies Genre Expectations
2025/03/09 04:44:57 +00:00 | Matt Donato
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Q&A: Filmmaker Michael Kallio Celebrates the Legacy of Gunnar Hansen in New Documentary DINNER WITH LEATHERFACE
2025/03/04 19:03:53 +00:00 | Derek Anderson
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Review: F MARRY KILL Can’t Find Horror in Online Dating
2025/03/04 15:57:39 +00:00 | Matt Donato
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Interview with THE MONKEY Cinematographer Nico Aguilar
2025/02/28 18:08:08 +00:00 | Jack Giroux
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Editorial: Vinnie C. Explores the Flesh and Fear of HERETIC
2025/02/25 16:40:16 +00:00 | Vinnie C.
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Review: INVADER is a Snapshot of a Home Invasion Thriller
2025/02/24 16:13:47 +00:00 | Matt Donato
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Interview: HEART EYES Cinematographer Stephen Murphy is All For Blood and Guts
2025/02/24 15:04:30 +00:00 | Jack Giroux
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Interview: Osgood Perkins Sings a Bloody Pop Tune with THE MONKEY
2025/02/20 20:38:08 +00:00 | Jack Giroux
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THE LYCAN Interview with Thomas Jane and Issue #2 Cover Reveal
2025/02/18 21:08:48 +00:00 | Jonathan James
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Video Interview: Elric Kane, Blu Hunt, and Ben Smith-Petersen Discuss THE DEAD THING
2025/02/14 23:57:30 +00:00 | Derek Anderson
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Review: THE GORGE is a Surprisingly Sweet Creature Feature
2025/02/14 19:20:46 +00:00 | Matt Donato
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8 Horror Films That Get Too Much Hate
2025/02/14 18:52:05 +00:00 | Vanessa Maki
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Q&A and Preview: YOU’LL DO BAD THINGS’ Tyler Boss Discusses Serial Killers, Writer’s Block, and Giallo Influences for This New Horror Comic Book Series
2025/02/14 18:02:58 +00:00 | Jonathan James
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Q&A: John Harrison Discusses His New Novel RESIDUE: PARAMENTALS RISING and Reflects on Working with George A. Romero and Directing TALES FROM THE DARKSIDE: THE MOVIE
2025/02/12 22:03:12 +00:00 | Derek Anderson
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