Daily Dead
Chattanooga Film Festival 2022 Review: BREATHING HAPPY is a Magical, Breathtaking Story of Recovery
2022/06/26 14:49:42 +00:00 | Michelle Swope
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Chattanooga Film Festival 2022 Review: THE LEECH Wishes You a Bawdy Merry Christmas
2022/06/25 15:56:01 +00:00 | Michelle Swope
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Review: GATLOPP Offers Something Fun and Inventive with Each Roll of the Dice
2022/06/22 15:13:26 +00:00 | James Doherty
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Tribeca 2022 Review: Travis Stevens’ A WOUNDED FAWN is a Cinematic Reckoning with a Greek Twist
2022/06/14 18:36:43 +00:00 | Heather Wixson
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Tribeca 2022 Review: Michelle Garza Cervera Paints a Terrifying Portrait of Motherhood and the Loss of Identity in HUESERA
2022/06/13 18:40:06 +00:00 | Heather Wixson
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Tribeca 2022 Review: Pure Suffering is on the Menu in Peter Hengl’s FAMILY DINNER
2022/06/12 15:50:05 +00:00 | Heather Wixson
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Tribeca 2022 Review: NEXT EXIT is a Beautifully Bittersweet Examination of Humanity’s Quest for Meaning 
2022/06/12 15:44:49 +00:00 | Heather Wixson
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Overlook 2022 Review: FLUX GOURMET is More Flavorful Obscurity Du Jour From Peter Strickland
2022/06/10 17:18:50 +00:00 | Matt Donato
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Overlook 2022 Review: SHAKY SHIVERS is a Cute And Sweet Gateway Horror Treat
2022/06/07 21:21:37 +00:00 | Matt Donato
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Blu-ray Review: UMMA
2022/05/31 22:48:08 +00:00 | Heather Wixson
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Review Round-Up: HATCHING and THE AVIARY
2022/05/23 17:46:57 +00:00 | Heather Wixson
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Review: Faith and Science Collide in First Episodes of THE ESSEX SERPENT
2022/05/16 17:20:21 +00:00 | James Doherty
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Review: MONSTROUS is More Drama Than Horror, But Christina Ricci Excels at Both
2022/05/13 17:49:00 +00:00 | James Doherty
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Review: FIRESTARTER (2022) Effectively Modernizes the Themes at the Heart of Stephen King’s Story, But Still Falls Short
2022/05/13 02:06:14 +00:00 | Heather Wixson
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Review: HOMEBOUND is a Familiar Story Boosted by a Fantastic Lead Performance
2022/05/10 16:15:10 +00:00 | Michelle Swope
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