Daily Dead
Review: Faith and Science Collide in First Episodes of THE ESSEX SERPENT
2022/05/16 17:20:21 +00:00 | James Doherty
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Review: MONSTROUS is More Drama Than Horror, But Christina Ricci Excels at Both
2022/05/13 17:49:00 +00:00 | James Doherty
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Review: FIRESTARTER (2022) Effectively Modernizes the Themes at the Heart of Stephen King’s Story, But Still Falls Short
2022/05/13 02:06:14 +00:00 | Heather Wixson
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Review: HOMEBOUND is a Familiar Story Boosted by a Fantastic Lead Performance
2022/05/10 16:15:10 +00:00 | Michelle Swope
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Review: With MEN, Filmmaker Alex Garland Crafts a Provocative and Wholly Unexpected Examination of Grief That is Sure to Push Some Buttons
2022/05/09 16:00:54 +00:00 | Heather Wixson
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Review: SHEPHERD is a Haunting and Atmospheric Tale of Loss
2022/05/06 14:43:14 +00:00 | Sara Clements
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Fantaspoa 2022 Review: FOLLOW HER is an Inventive Psychological Thriller That Will Keep You Guessing
2022/04/21 16:27:54 +00:00 | Heather Wixson
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Indie Horror Month 2022 Review: Riley Stearns’ DUAL is a Thought-Provoking Slice of Sci-Fi Satire
2022/04/20 18:47:13 +00:00 | Heather Wixson
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Review: THE NORTHMAN is a Ferocious and Stunning Work of Art from Robert Eggers
2022/04/11 16:00:10 +00:00 | Heather Wixson
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Review: NIGHT’S END Disappoints In Delivering a Good Haunting
2022/03/31 18:50:57 +00:00 | Sara Clements
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SXSW 2022 Review: THE UNBEARABLE WEIGHT OF MASSIVE TALENT is a Wild, Witty, and Wonderful Celebration of Nicolas Cage
2022/03/30 20:21:12 +00:00 | Heather Wixson
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Review: KICKING BLOOD is a Dazzling Examination of Addiction and the Human Condition
2022/03/28 21:15:26 +00:00 | Michelle Swope
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SXSW 2022 Review Round-Up: SISSY and DEADSTREAM
2022/03/28 19:35:13 +00:00 | Heather Wixson
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SXSW 2022 Review: EVERYTHING EVERYWHERE ALL AT ONCE is an Ambitious Genre-Bender That Delivers on its Title
2022/03/24 19:27:33 +00:00 | Heather Wixson
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Review: YOU ARE NOT MY MOTHER Splendidly Uses Irish Folklore to Tell a Dark, Unsettling Coming-of-Age Tale
2022/03/23 19:21:20 +00:00 | Michelle Swope
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