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Slamdance 2020 Review Round-Up: BIG FUR and MAJNUNI
2020/02/10 17:04:35 +00:00 | Heather Wixson
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Review: Netflix’s LOCKE & KEY is an Exciting New Series Full of Devilish Trickery
2020/02/05 21:24:35 +00:00 | Sara Clements
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Sundance 2020 Review Round-Up: AMULET, LA LLORONA, and IMPETIGORE
2020/02/04 23:17:40 +00:00 | Heather Wixson
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Sundance 2020 Review: Brandon Cronenberg’s POSSESSOR is a Mind-Blowing Sci-Fi/Horror Hybrid
2020/02/03 18:28:39 +00:00 | Heather Wixson
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Blu-ray Review: THE PEANUT BUTTER SOLUTION (1985)
2020/01/31 23:03:00 +00:00 | Scott Drebit
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Sundance 2020 Review: Rebecca Hall Tackles Grief and Guilt for THE NIGHT HOUSE
2020/01/31 18:06:13 +00:00 | Heather Wixson
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Sundance 2020 Review: LEAP OF FAITH: WILLIAM FRIEDKIN ON THE EXORCIST is an Enlightening Look Back on One of Cinema’s Greatest Achievements
2020/01/31 02:30:15 +00:00 | Heather Wixson
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Review: GRETEL & HANSEL is a Stunning Adaptation That Takes a Familiar Tale in Surprising New Directions
2020/01/30 17:00:13 +00:00 | Heather Wixson
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Sundance 2020 Review: SCARE ME Serves as a Hilarious Reminder of What Makes Horror Storytelling So Great
2020/01/27 21:43:25 +00:00 | Heather Wixson
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Sundance 2020 Review: Exploring the Horrors of Aging, RELIC is a Monstrously Impressive Debut from Natalie Erika James
2020/01/26 18:28:13 +00:00 | Heather Wixson
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Review: THE TURNING Hits Some Highs, But Falls Short in its Ending
2020/01/23 07:00:05 +00:00 | Heather Wixson
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Severin Blu-ray Reviews: GWENDOLINE (1984) and THE BOYS NEXT DOOR (1985)
2020/01/13 21:10:53 +00:00 | Scott Drebit
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Review: THREE CHRISTS is a Fascinating Exploration of the Mysteries of the Human Mind
2020/01/11 01:49:11 +00:00 | Sara Clements
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Review: UNDERWATER is an Entertaining Addition to the Aquatic Horror Genre (Monte’s Take)
2020/01/10 21:33:25 +00:00 | Monte Yazzie
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Review: THE GRUDGE (2020) is a Chilling and Often Poignant Tale of Terror
2020/01/03 17:00:03 +00:00 | Heather Wixson
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