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Fantasia 2020 Review Round-Up: LUCKY, DINNER IN AMERICA and MINOR PREMISE
2020/09/05 18:42:50 +00:00 | Heather Wixson
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Fantasia 2020 Review: COME TRUE is a Neon-Soaked Cinematic Nightmare
2020/09/01 19:56:22 +00:00 | Heather Wixson
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Fantasia 2020 Review: SAVAGE STATE is an Unabashedly Feminine Western, the Best Since GODLESS
2020/08/31 19:45:29 +00:00 | Sara Clements
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Fantasia 2020 Review: SANZARU is a Hollow Haunting
2020/08/31 16:24:15 +00:00 | Caitlin Kennedy
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Fantasia 2020 Review: THE DARK AND THE WICKED is a Shockingly Bleak and Horrifying Exploration of Grief and Faith
2020/08/29 22:05:47 +00:00 | Heather Wixson
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Fantasia 2020 Review: ALONE is a Heart-Stopping Thrill
2020/08/29 16:30:54 +00:00 | Caitlin Kennedy
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Fantasia 2020 Review: KRIYA is a Draining Downward Spiral
2020/08/27 03:52:31 +00:00 | Caitlin Kennedy
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Fantasia 2020 Review: BLEED WITH ME Plays with the Frightening Tricks of the Mind 
2020/08/27 03:21:31 +00:00 | Sara Clements
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Fantasia 2020 Interview: Brea Grant on 12 HOUR SHIFT, LUCKY, and How Her Experience as a Woman in Film Shapes Her Work
2020/08/26 20:28:49 +00:00 | Lindsay Traves
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Fantasia 2020 Review: UNEARTH Explores the Real-Life Horrors of Small Town America
2020/08/26 03:51:37 +00:00 | Heather Wixson
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Fantasia 2020 Review: THE CURSE OF AUDREY EARNSHAW is an Unflinching Folk Horror Tale
2020/08/23 16:23:11 +00:00 | Heather Wixson
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Fantasia 2020 Review: Brea Grant’s 12 HOUR SHIFT is a Viciously Entertaining Dark Comedy
2020/08/23 16:10:36 +00:00 | Heather Wixson
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Fantasia 2020 Review: THE RECKONING is an Epic Examination of the Witch Trials
2020/08/22 14:58:50 +00:00 | Sara Clements
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Fantasia 2020 Review: PVT CHAT is a Tragic Love Story for Now
2020/08/21 20:50:28 +00:00 | Caitlin Kennedy
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Fantasia 2020 Review: SPECIAL ACTORS is Another Triumphant Storytelling Feat from Shinichiro Ueda
2020/08/21 03:51:06 +00:00 | Heather Wixson
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