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Review: With Bold Kills and an Exceptional Cast, PREY Sets Itself Apart from the PREDATOR Sequels
2022/08/05
21:00:25 +00:00
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Asher Luberto
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Review: MOONFALL Throws Every Possible Disaster at the Screen with Mixed Results
2022/02/05
01:12:26 +00:00
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Asher Luberto
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Review: THE ADDAMS FAMILY 2
2021/10/01
17:18:22 +00:00
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Asher Luberto
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Review: Neill Blomkamp’s DEMONIC Provides Stunning VR, but Can’t Stick the Landing
2021/08/20
17:17:42 +00:00
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Asher Luberto
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Review: THE GREEN KNIGHT is a Moody, Mythical Masterpiece
2021/07/29
19:26:38 +00:00
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Asher Luberto
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Latest Reviews
Review: THE THING EXPANDED Documentary is a Fantastic Deep Dive That Leaves No Stone Unturned
Review: MORTAL KOMBAT II Puts Kombat First for Better and Worse
Review: DEEP WATER is a Ferocious Mashup of Aquatic Horrors
Review: MOTHER MARY is a Lusty Pop Idol Ghost Story
Review: LEE CRONIN’S THE MUMMY is a Better Evil Dead Movie Than Mummy Movie
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Special Features
AFFECTION Video Interviews with Joseph Cross, BT Meza, and Dan Rebert
Weird Travels: The Ultimate Guide to Universal Horror Unleashed
Interview with HOKUM Writer / Director Damian McCarthy
WIDOW’S BAY Interviews with Katie Dippold, Kate O’Flynn, Matthew Rhys, and Stephen Root
Q&A: Matt Kindt Discusses Solution-Centric and “Best-Smelling” Comic Book Series MIND MGMT: NEW & IMPROVED
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Editor's Choice
[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
Editorial: The Church is the Quiet Terror in Exorcism Films
[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
Interview: THE LONG WALK Composer Jeremiah Fraites Gets to the Heart of Stephen King
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
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