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Review: With Bold Kills and an Exceptional Cast, PREY Sets Itself Apart from the PREDATOR Sequels
2022/08/05
21:00:25 +00:00
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Asher Luberto
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Review: MOONFALL Throws Every Possible Disaster at the Screen with Mixed Results
2022/02/05
01:12:26 +00:00
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Asher Luberto
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Review: THE ADDAMS FAMILY 2
2021/10/01
17:18:22 +00:00
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Asher Luberto
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Review: Neill Blomkamp’s DEMONIC Provides Stunning VR, but Can’t Stick the Landing
2021/08/20
17:17:42 +00:00
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Asher Luberto
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Review: THE GREEN KNIGHT is a Moody, Mythical Masterpiece
2021/07/29
19:26:38 +00:00
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Asher Luberto
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Latest Reviews
Review: EVIL DEAD BURN is a Mean Slice of Deadite Devastation
Review: HUNGRY Unleashes Hippo Horrors with Ferocity
Review: KRAKEN Ain’t All It’s Cracked Up To Be
Review: I AM FRANKELDA is a Wonderful Mexican Stop-Motion Musical
Tribeca 2026 Review: RECLUSE is Effective & Thrilling Gothic Horror
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Special Features
Preview: David Robert Mitchell & J.J. Abrams Tease the Dinosaurs and Secrets of THE END OF OAK STREET
Interview: Celebrating 40 Years of ALIENS with Chief Dubbing Mixer Graham V. Hartstone
Celebrating 40 Years of ALIENS with “Alien Warrior” Carl Toop
Interview: Michael Biehn Hypes Adam Wingard’s ONSLAUGHT, Discusses Re-Uniting with Arnold Schwarzenegger on THE KELLYS, and Reflects on 40 Years of ALIENS
RUBBERHEAD: THE LIFE AND MONSTERS OF STEVE JOHNSON Q&A with Director Nick Taylor
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Editor's Choice
Interview: Michael Biehn Hypes Adam Wingard’s ONSLAUGHT, Discusses Re-Uniting with Arnold Schwarzenegger on THE KELLYS, and Reflects on 40 Years of ALIENS
[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
Editorial: The Church is the Quiet Terror in Exorcism Films
[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
Interview: THE LONG WALK Composer Jeremiah Fraites Gets to the Heart of Stephen King
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