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Boston Underground Film Festival Review: THE UNHEARD Ambitiously Grasps for Meaning in the Static
2023/03/25
20:51:13 +00:00
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Cass Clarke
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Review: THE MENU is a Delicious Dissection of the Role of the Critic
2022/11/18
16:57:56 +00:00
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Cass Clarke
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Interview: Kier-La Janisse Delves into HOUSE OF PSYCHOTIC WOMEN’s Expanded Edition
2022/11/16
16:25:30 +00:00
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Cass Clarke
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Interview: Indigenous Director Jason Brennan Reclaims the Wendigo in L’INHUMAIN
2022/08/24
17:56:32 +00:00
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Cass Clarke
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Interview: GALAXY: THE PRETTIEST STAR Creators Illuminate DC Comics’ Newest Trans Hero
2022/06/27
17:18:37 +00:00
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Cass Clarke
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Editorial: How RELIC Harrowingly Depicts Dementia and Anticipatory Grief
2022/01/14
19:43:16 +00:00
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Cass Clarke
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Latest Reviews
FrightFest 2025 Review: DEATH CYCLE is a Revenge Tale That Never Quite Hits Top Gear
FrightFest 2025 Review: BLOCKHEAD Expertly Explores a Writer’s Downward Spiral
Review: THE CONJURING: LAST RITES is Heartfelt Final Chapter for Patrick Wilson and Vera Farmiga
Review: THE LONG WALK is a Chilling, Soul-Shredding Stephen King Adaptation
Locarno Film Festival 2025: I LIVE HERE NOW is a Beautifuly Trippy Examination of Character and Self
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Special Features
THE CONJURING: LAST RITES Interviews with Vera Farmiga, Patrick Wilson, Mia Tomlinson, and Ben Hardy
THE CONJURING: LAST RITES Interviews with Michael Chaves and James Wan
Q&A: Writer Rodney Barnes Brings Readers Back to Barrow to Battle More Vampires in IDW’s 30 DAYS OF NIGHT: FALLING SUN
Celebrate National Dog Day by Watching HOWL AT THE DEAD and Reading Our Q&A with Director Gregg Bishop!
Special Guest Editorial: SECRET LIVES OF THE DEAD Author Tim Lebbon Reflects On: Who Needs Genre?
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Editor's Choice
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
[Editorial] ANNIHILATION (2018): The Algorithm of Natural Selection Just Unfollowed You
Interview: JURASSIC WORLD REBIRTH Screenwriter David Koepp Discusses Awe, Horror, and Dinos
Celebrating Shudder’s 10th Anniversary with Tattoos, Memories, and Community
Editorial: The Blood & Blues of SINNERS’ Colonial Horror
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