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Boston Underground Film Festival Review: THE UNHEARD Ambitiously Grasps for Meaning in the Static
2023/03/25
20:51:13 +00:00
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Cass Clarke
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Review: THE MENU is a Delicious Dissection of the Role of the Critic
2022/11/18
16:57:56 +00:00
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Cass Clarke
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Interview: Kier-La Janisse Delves into HOUSE OF PSYCHOTIC WOMEN’s Expanded Edition
2022/11/16
16:25:30 +00:00
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Cass Clarke
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Interview: Indigenous Director Jason Brennan Reclaims the Wendigo in L’INHUMAIN
2022/08/24
17:56:32 +00:00
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Cass Clarke
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Interview: GALAXY: THE PRETTIEST STAR Creators Illuminate DC Comics’ Newest Trans Hero
2022/06/27
17:18:37 +00:00
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Cass Clarke
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Editorial: How RELIC Harrowingly Depicts Dementia and Anticipatory Grief
2022/01/14
19:43:16 +00:00
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Cass Clarke
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Latest Reviews
Review: THE PLAGUE Unleashes the Horrors of Adolescent Bullying
Review: DUST BUNNY is a Delightful Action-Horror Romp
Review: FIVE NIGHTS AT FREDDY’S 2 Relies Too Much on Frustrating Video Game Logic
Review: Rian Johnson Pits Faith Against Facts in Thrilling Fashion in WAKE UP DEAD MAN
“Monte’s Take” Review: THE RUNNING MAN (2025)
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Special Features
Justina Bonilla’s Favorites of 2025
[2025 Favorites] Interview: Director / Co-Writer Scott Derrickson Taps Into the Communal VHS Era of ’80s Horror with BLACK PHONE 2
Scott Drebit’s Favorites of 2025
[2025 Favorites] “Hell Yeah, I Will Jump at the Opportunity to Direct a Short” — Interview: M3GAN and MALIGNANT Screenwriter Akela Cooper Makes Her Directorial Debut with THE BOULET BROTHERS’ HOLIDAY OF HORRORS
Vanessa Maki’s Favorites of 2025
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Editor's Choice
[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
Interview: THE LONG WALK Composer Jeremiah Fraites Gets to the Heart of Stephen King
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
[Editorial] ANNIHILATION (2018): The Algorithm of Natural Selection Just Unfollowed You
Interview: JURASSIC WORLD REBIRTH Screenwriter David Koepp Discusses Awe, Horror, and Dinos
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