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Boston Underground Film Festival Review: THE UNHEARD Ambitiously Grasps for Meaning in the Static
2023/03/25
20:51:13 +00:00
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Cass Clarke
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Review: THE MENU is a Delicious Dissection of the Role of the Critic
2022/11/18
16:57:56 +00:00
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Cass Clarke
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Interview: Kier-La Janisse Delves into HOUSE OF PSYCHOTIC WOMEN’s Expanded Edition
2022/11/16
16:25:30 +00:00
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Cass Clarke
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Interview: Indigenous Director Jason Brennan Reclaims the Wendigo in L’INHUMAIN
2022/08/24
17:56:32 +00:00
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Cass Clarke
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Interview: GALAXY: THE PRETTIEST STAR Creators Illuminate DC Comics’ Newest Trans Hero
2022/06/27
17:18:37 +00:00
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Cass Clarke
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Editorial: How RELIC Harrowingly Depicts Dementia and Anticipatory Grief
2022/01/14
19:43:16 +00:00
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Cass Clarke
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Latest Reviews
Fantasia 2025 Review: STRAIGHT OUTTA SPACE Charms with Lighthearted Alien Goofs
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Fantasia 2025 Review: HELLCAT is a Tense and Scary Ride
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Special Features
How Indie Horror Film BYSTANDERS Re-Invented the Rape / Revenge Sub-Genre: Interviews with the Film’s Cast & Creators
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WEAPONS Interviews with Zach Cregger, Josh Brolin, Julia Garner, and Alden Ehrenreich
Interview: Director Chuck Russell Resurrects WITCHBOARD and Reflects on A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS
Exclusive Q&A with Composer Cornel Wilczek and Track Premiere of “Our First Dance” from TOGETHER—ORIGINAL MOTION PICTURE SOUNDTRACK, Coming to Digital August 1st from Lakeshore Records
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Editor's Choice
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
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Editorial: The Blood & Blues of SINNERS’ Colonial Horror
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