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Boston Underground Film Festival Review: THE UNHEARD Ambitiously Grasps for Meaning in the Static
2023/03/25
20:51:13 +00:00
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Cass Clarke
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Review: THE MENU is a Delicious Dissection of the Role of the Critic
2022/11/18
16:57:56 +00:00
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Cass Clarke
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Interview: Kier-La Janisse Delves into HOUSE OF PSYCHOTIC WOMEN’s Expanded Edition
2022/11/16
16:25:30 +00:00
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Cass Clarke
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Interview: Indigenous Director Jason Brennan Reclaims the Wendigo in L’INHUMAIN
2022/08/24
17:56:32 +00:00
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Cass Clarke
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Interview: GALAXY: THE PRETTIEST STAR Creators Illuminate DC Comics’ Newest Trans Hero
2022/06/27
17:18:37 +00:00
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Cass Clarke
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Editorial: How RELIC Harrowingly Depicts Dementia and Anticipatory Grief
2022/01/14
19:43:16 +00:00
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Cass Clarke
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Latest Reviews
Review: MONSTER ISLAND is a Practical Effects Showcase with Little Else
Review: I KNOW WHAT YOU DID LAST SUMMER is Almost a Return to Form
Review: PUSH Never Pushes Far Enough
Review: JURASSIC WORLD REBIRTH [Monte’s Take]
Review: M3GAN 2.0 is an Action Upgrade That’s Missing Its Edge
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Special Features
Interview: Talking Found Footage Horror with HOUSE ON EDEN’s Kris Collins, Celina Myers, and Jason-Christopher Mayer
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
Q&A: Discussing the Deadly Digital Pets, Nostalgic Nightmares, and Intriguing Characters of T.A.M.A. with Adam Schlagman, Doug Pasko, and Daniel HDR
[Editorial] ANNIHILATION (2018): The Algorithm of Natural Selection Just Unfollowed You
Q&A: Artist Jim Burns Discusses His Creative Approach to the Haunting Illustrations Featured in The Folio Society’s Limited Edition of Stephen King’s IT
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Editor's Choice
[Comic-Con 2025] Interview: Michael Giacchino Talks Marvel’s WEREWOLF BY NIGHT: BLOOD MOON and Why He Loves Classic Monsters
[Editorial] ANNIHILATION (2018): The Algorithm of Natural Selection Just Unfollowed You
Interview: JURASSIC WORLD REBIRTH Screenwriter David Koepp Discusses Awe, Horror, and Dinos
Celebrating Shudder’s 10th Anniversary with Tattoos, Memories, and Community
Editorial: The Blood & Blues of SINNERS’ Colonial Horror
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