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SXSW 2024 Review: IT’S WHAT’S INSIDE is a Freaky Party-Horror Game with Big Laughs
2024/03/19
22:06:05 +00:00
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Matt Donato
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SXSW 2024 Review: Top-Notch Creature Work Makes ARCADIAN a Damn Good Monster Mash
2024/03/12
22:04:43 +00:00
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Matt Donato
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SXSW 2024 Review: I SAW THE TV GLOW is a Melancholic Ode to Screen Escapes and Suburban Decay
2024/03/11
22:04:05 +00:00
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Matt Donato
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Review: LOVE LIES BLEEDING is Cinematic Comfort Food with Inviting Twists
2024/03/07
23:54:14 +00:00
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Matt Donato
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Review: NO WAY UP Doesn’t Fulfill Its B-Movie Potential
2024/02/16
22:21:40 +00:00
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Matt Donato
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Review: LISA FRANKENSTEIN is a Valentine’s Day Treat for Horror Fans
2024/02/07
16:04:18 +00:00
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Matt Donato
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Sundance 2024 Review: IN A VIOLENT NATURE Gushes Exquisite Gore and Reimagines the Slasher Structure with Newfound Originality
2024/01/23
23:27:42 +00:00
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Matt Donato
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Matt’s Favorites of 2023
2024/01/05
16:58:23 +00:00
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Matt Donato
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Review: LORD OF MISRULE is an Undeniably Atmospheric Venture Into Villages of the Damned
2023/12/08
21:07:11 +00:00
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Matt Donato
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Review: THANKSGIVING is One of the Great Modern American Slashers
2023/11/15
15:27:17 +00:00
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Matt Donato
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Review: A HAUNTING IN VENICE Brings Halloween Creepiness to Familiar Whodunit Structures
2023/09/11
19:44:15 +00:00
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Matt Donato
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Review: THE NUN II Gets Back to Basics In a Bad Way
2023/09/07
16:01:05 +00:00
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Matt Donato
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Overlook 2022 Review: FLUX GOURMET is More Flavorful Obscurity Du Jour From Peter Strickland
2022/06/10
17:18:50 +00:00
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Matt Donato
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Overlook 2022 Review: SHAKY SHIVERS is a Cute And Sweet Gateway Horror Treat
2022/06/07
21:21:37 +00:00
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Matt Donato
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Special Features
Drive-In Dust Offs: Good Hang at the Meta MADHOUSE (1974)
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Interview: Discussing the Origins of the Zombie with BLACK ZOMBIE’s Maya Annik Bedward
Interview: Discussing the Weird Horror of DOCTOR STRANGE: ENDLESS NIGHTMARE with Kevin J. Anderson
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Editor's Choice
Exclusive Interview with Judith O’Dea and Photos from NIGHT OF THE LIVING DEAD: THE OFFICIAL STORY OF THE FILM
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[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
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