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Review: VENOM: LET THERE BE CARNAGE [Monte’s Take]
2021/10/02 02:52:00 +00:00 | Monte Yazzie
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Review: Nia DaCosta’s CANDYMAN [Monte’s Take]
2021/08/30 16:50:50 +00:00 | Monte Yazzie
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Class of 1981: Hitting the Lonesome, Suspenseful Road with Richard Franklin’s ROAD GAMES
2021/08/27 15:08:25 +00:00 | Monte Yazzie
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Class of 1981: Changing Times and John Irvin’s GHOST STORY
2021/08/16 16:42:57 +00:00 | Monte Yazzie
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Review: OLD (Monte’s Take)
2021/07/28 15:29:14 +00:00 | Monte Yazzie
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Review: THE CONJURING: THE DEVIL MADE ME DO IT (Monte’s Take)
2021/06/08 14:31:56 +00:00 | Monte Yazzie
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Review: CRUELLA (Monte’s Take)
2021/06/03 04:20:56 +00:00 | Monte Yazzie
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Review: A QUIET PLACE PART II (Monte’s Take)
2021/06/01 13:51:30 +00:00 | Monte Yazzie
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Monte’s Take: SPIRAL: FROM THE BOOK OF SAW
2021/05/14 16:46:36 +00:00 | Monte Yazzie
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Review: COME PLAY (Monte’s Take)
2020/11/02 15:13:45 +00:00 | Monte Yazzie
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Gialloween 2020: Revisiting the Past and Moving into the Future with MURDER OBSESSION
2020/10/29 21:58:40 +00:00 | Monte Yazzie
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Gialloween 2020: STAGEFRIGHT is the Curtain Call for the Italian Thriller
2020/10/23 18:48:27 +00:00 | Monte Yazzie
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Gialloween 2020: TORSO is an Interesting Example of How Giallo Cinema Embraces and Embodies Different Characteristics
2020/10/14 22:44:24 +00:00 | Monte Yazzie
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Review: ANTEBELLUM (Monte’s Take)
2020/09/22 15:58:25 +00:00 | Monte Yazzie
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Review: I’M THINKING OF ENDING THINGS (Monte’s Take)
2020/09/04 15:04:38 +00:00 | Monte Yazzie
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