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Fantastic Fest 2018 Review: THE NIGHTSHIFTER is a Crimson-Coated Mortality Tale That Delivers Plenty of Frights
2018/10/03
16:05:50 +00:00
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Nathan Smith
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Fantastic Fest 2018 Review: OPEN 24 HOURS Offers Us a Grisly Retro Slasher
2018/09/28
21:15:42 +00:00
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Nathan Smith
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Fantastic Fest 2018 Review: YOU MIGHT BE THE KILLER is Silly Slasher Fun
2018/09/27
21:36:53 +00:00
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Nathan Smith
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Fantastic Fest 2018 Impressions: William Lustig’s MANIAC 4K Restoration Screening and Q&A
2018/09/26
21:48:05 +00:00
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Nathan Smith
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Fantastic Fest 2018 Review: ONE CUT OF THE DEAD is an Infinitely Charming Zombie Movie
2018/09/26
17:14:35 +00:00
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Nathan Smith
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Latest Reviews
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Review: KRAKEN Ain’t All It’s Cracked Up To Be
Review: I AM FRANKELDA is a Wonderful Mexican Stop-Motion Musical
Tribeca 2026 Review: RECLUSE is Effective & Thrilling Gothic Horror
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Special Features
Interview: Celebrating 40 Years of ALIENS with Chief Dubbing Mixer Graham V. Hartstone
Celebrating 40 Years of ALIENS with “Alien Warrior” Carl Toop
Interview: Michael Biehn Hypes Adam Wingard’s ONSLAUGHT, Discusses Re-Uniting with Arnold Schwarzenegger on THE KELLYS, and Reflects on 40 Years of ALIENS
RUBBERHEAD: THE LIFE AND MONSTERS OF STEVE JOHNSON Q&A with Director Nick Taylor
Interview: Discussing Puerto Rican Culture, the Chupacabra, and the “True Weird” of BEAST OF BORIKÉN with Writer Julio Anta
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Editor's Choice
Interview: Michael Biehn Hypes Adam Wingard’s ONSLAUGHT, Discusses Re-Uniting with Arnold Schwarzenegger on THE KELLYS, and Reflects on 40 Years of ALIENS
[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
Editorial: The Church is the Quiet Terror in Exorcism Films
[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
Interview: THE LONG WALK Composer Jeremiah Fraites Gets to the Heart of Stephen King
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