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London Film Festival 2019 Review: DEERSKIN’s “Killer Style” Speaks for Itself
2019/11/04
21:56:03 +00:00
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Sean McGeady
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FrightFest 2019 Review: STAIRS’ Endless Trauma Taps into an Urgent Desire to Repair the Past
2019/09/10
16:17:15 +00:00
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Sean McGeady
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FrightFest 2019 Review: THE PERISHED Struggles to Turn Goodwill into a Great Film
2019/08/26
18:55:17 +00:00
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Sean McGeady
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FrightFest 2019 Review: THE BARGE PEOPLE Sinks Under the Weight of its Nostalgia
2019/08/26
18:46:36 +00:00
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Sean McGeady
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FrightFest 2019 Review: STALKED is a Well-Handled Thriller, Thanks to an Out-of-Sight Performance
2019/08/25
17:06:13 +00:00
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Sean McGeady
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FrightFest 2019 Review: TO YOUR LAST DEATH Delivers Guts and Gore, Lends Surprising Depth to its 2D Characters
2019/08/23
16:37:00 +00:00
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Sean McGeady
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Latest Reviews
Fantastic Fest 2026 Review: GHOST IN THE CELL is an Exemplary Horror Comedy
Fantastic Fest 2026 Review: PATHETIC FALLACY is Adam Egypt Mortimer’s Best Yet
Fantastic Fest 2026 Review: ÜREI is a Dreamy Mystery Rooted in the Horror of Past Traumas
Fantastic Fest 2026 Review: THE HERETIKS is a Fun and Gory Ride
Fantastic Fest 2026 Review: BLOODY TENNIS is a Bloody Smash
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Special Features
10 Underseen Silent Horror Films
Interview with INTERVIEW WITH THE VAMPIRE Director Neil Jordan
Interview with NEVER AFTER DARK Writer / Director Dave Boyle
Drive-In Dust Offs: The (Sort of) Sordid Love Saga of JULIE DARLING
Interview: Discussing the Horrors of SOMETIMES I SCARE MYSELF with Author Jeneva Rose
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Editor's Choice
Exclusive Interview with Judith O’Dea and Photos from NIGHT OF THE LIVING DEAD: THE OFFICIAL STORY OF THE FILM
Interview: Michael Biehn Hypes Adam Wingard’s ONSLAUGHT, Discusses Re-Uniting with Arnold Schwarzenegger on THE KELLYS, and Reflects on 40 Years of ALIENS
[Guest Article] Maggots On Your Body Of Work: Clay McLeod Chapman On Finding His Own Muses
Editorial: The Church is the Quiet Terror in Exorcism Films
[Editorial] AI of the Living Dead: Why Have So Many Already Accepted the Simulation?
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