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Review: Shudder’s THE ROOM Plays as an Unnerving Tragedy
2020/04/03 17:18:31 +00:00 | Caitlin Kennedy
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[Collecting Spotlight] ’90s Teen Horror Books: Spring Edition
2020/04/01 18:21:51 +00:00 | Bryce Gibson
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Review: THE OTHER LAMB is a Haunting Exploration of Adolescence
2020/03/31 20:10:59 +00:00 | Sara Clements
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Review: MASS HYSTERIA Maintains a Quirky Sense of Humor While Staying True to Salem’s Dark Past
2020/03/31 18:59:16 +00:00 | Bryan Christopher
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Practical-ly Perfect: Celebrating the Oscar-Winning Makeup Effects of Tim Burton’s BEETLEJUICE
2020/03/30 19:35:50 +00:00 | Heather Wixson
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Drive-In Dust Offs: BLUE MONKEY (1987)
2020/03/28 17:22:34 +00:00 | Scott Drebit
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Preview: Initial Thoughts on Shudder’s New CURSED FILMS Series, Featuring POLTERGEIST and THE OMEN
2020/03/27 18:07:57 +00:00 | Heather Wixson
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Interview: Director Lorcan Finnegan on Exploring the Existential Dread of Adulthood in VIVARIUM
2020/03/26 20:47:13 +00:00 | Heather Wixson
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Editorial: Horror in the Time of Coronavirus
2020/03/25 22:07:31 +00:00 | Scott Drebit
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Blu-ray Review: APRIL FOOL’S DAY (1986) Collector’s Edition
2020/03/23 21:02:16 +00:00 | Heather Wixson
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From Streams to Screams Special Edition: More Than 100 Shows and Movies Your Genre-Loving Kid Can Stream Right Now
2020/03/20 23:00:14 +00:00 | Heather Wixson
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Robert Englund Talks Historical Horror, Hosting, and the Legacy of Freddy Krueger in Highlights from Travel Channel’s TRUE TERROR WITH ROBERT ENGLUND Conference Call
2020/03/18 23:56:31 +00:00 | Derek Anderson
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Catalog From the Beyond: THE BLACK SLEEP (1956)
2020/03/18 20:23:21 +00:00 | Bryan Christopher
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Review: THE TOLL Serves as a Reminder That There’s Always a Price to Pay
2020/03/16 15:32:02 +00:00 | Heather Wixson
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Drive-In Dust Offs: NIGHT OF THE COBRA WOMAN (1972)
2020/03/14 14:38:46 +00:00 | Scott Drebit
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