Daily Dead
Review: Netflix’s LOCKE & KEY is an Exciting New Series Full of Devilish Trickery
2020/02/05 21:24:35 +00:00 | Sara Clements
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Sundance 2020 Interview: Writer/Director Emily Wilson Discusses DANNY’S GIRL
2020/02/05 00:00:59 +00:00 | Heather Wixson
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Sundance 2020 Review Round-Up: AMULET, LA LLORONA, and IMPETIGORE
2020/02/04 23:17:40 +00:00 | Heather Wixson
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Sundance 2020 Interview: Producer Doug McKay Talks Upcoming LaLaurie Mansion Film Project & Collaborating with Writers Carey & Chad Hayes
2020/02/04 19:13:20 +00:00 | Heather Wixson
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Scary Movies 101: Why SCREAM 3 Deserves Better
2020/02/04 17:01:26 +00:00 | Heather Wixson
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Sundance 2020 Review: Brandon Cronenberg’s POSSESSOR is a Mind-Blowing Sci-Fi/Horror Hybrid
2020/02/03 18:28:39 +00:00 | Heather Wixson
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Drive-In Dust Offs: THE TINGLER (1959)
2020/02/01 15:47:04 +00:00 | Scott Drebit
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Blu-ray Review: THE PEANUT BUTTER SOLUTION (1985)
2020/01/31 23:03:00 +00:00 | Scott Drebit
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Sundance 2020 Review: Rebecca Hall Tackles Grief and Guilt for THE NIGHT HOUSE
2020/01/31 18:06:13 +00:00 | Heather Wixson
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Sundance 2020 Review: LEAP OF FAITH: WILLIAM FRIEDKIN ON THE EXORCIST is an Enlightening Look Back on One of Cinema’s Greatest Achievements
2020/01/31 02:30:15 +00:00 | Heather Wixson
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Editorial: In Defense of Beauty & Aesthetics in Horror Movies
2020/01/30 21:21:45 +00:00 | Laura Di Girolamo
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Review: GRETEL & HANSEL is a Stunning Adaptation That Takes a Familiar Tale in Surprising New Directions
2020/01/30 17:00:13 +00:00 | Heather Wixson
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Catalog From The Beyond: SUPERNOVA (2000)
2020/01/29 19:29:19 +00:00 | Bryan Christopher
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Interview: Alice Krige Discusses Her Role in GRETEL & HANSEL and Reflects on GHOST STORY (1981)
2020/01/28 22:04:48 +00:00 | Heather Wixson
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Sundance 2020 Review: SCARE ME Serves as a Hilarious Reminder of What Makes Horror Storytelling So Great
2020/01/27 21:43:25 +00:00 | Heather Wixson
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