Daily Dead
Editorial: In Defense of Beauty & Aesthetics in Horror Movies
2020/01/30 21:21:45 +00:00 | Laura Di Girolamo
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Review: GRETEL & HANSEL is a Stunning Adaptation That Takes a Familiar Tale in Surprising New Directions
2020/01/30 17:00:13 +00:00 | Heather Wixson
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Catalog From The Beyond: SUPERNOVA (2000)
2020/01/29 19:29:19 +00:00 | Bryan Christopher
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Interview: Alice Krige Discusses Her Role in GRETEL & HANSEL and Reflects on GHOST STORY (1981)
2020/01/28 22:04:48 +00:00 | Heather Wixson
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Sundance 2020 Review: SCARE ME Serves as a Hilarious Reminder of What Makes Horror Storytelling So Great
2020/01/27 21:43:25 +00:00 | Heather Wixson
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BLOODBORNE: THE VEIL, TORN ASUNDER Preview Pages and Q&A with Writer Aleš Kot
2020/01/27 19:41:04 +00:00 | Derek Anderson
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Sundance 2020 Review: Exploring the Horrors of Aging, RELIC is a Monstrously Impressive Debut from Natalie Erika James
2020/01/26 18:28:13 +00:00 | Heather Wixson
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Drive-In Dust Offs: MORTUARY (1983)
2020/01/25 17:18:06 +00:00 | Scott Drebit
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Daily Dead Salutes Your Shorts: FEAR WISH, THE MONSTER, and GARDEN PARTY
2020/01/24 18:52:47 +00:00 | Heather Wixson
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Let’s Scare Bryan to Death: Yann Gonzalez’s KNIFE + HEART with Kay Lynch
2020/01/23 23:21:12 +00:00 | Bryan Christopher
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Review: THE TURNING Hits Some Highs, But Falls Short in its Ending
2020/01/23 07:00:05 +00:00 | Heather Wixson
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Interview: Filmmaker Floria Sigismondi Discusses the Challenges of Making THE TURNING and More
2020/01/22 22:39:59 +00:00 | Heather Wixson
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Sundance 2020 Preview: Here’s a Look at This Year’s Genre Offerings
2020/01/22 20:34:32 +00:00 | Heather Wixson
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Interview: Richard Stanley on the Visual Challenges and Alien Influences on COLOR OUT OF SPACE
2020/01/22 19:41:58 +00:00 | Heather Wixson
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Interview: Co-Star Brooklynn Prince Talks THE TURNING
2020/01/21 20:04:23 +00:00 | Heather Wixson
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