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Toronto After Dark Film Festival 2019 Interview: Robert Kazinsky Discusses THE ASSENT and Reflects on PACIFIC RIM, WARCRAFT, and TRUE BLOOD
2019/11/04 23:15:31 +00:00 | Lindsay Traves
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London Film Festival 2019 Review: DEERSKIN’s “Killer Style” Speaks for Itself
2019/11/04 21:56:03 +00:00 | Sean McGeady
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Drive-In Dust Offs: THE BOOGEY MAN (1980)
2019/11/02 18:07:00 +00:00 | Scott Drebit
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Q&A with THE BLACK STRING Director/Co-Writer Brian Hanson
2019/11/02 01:55:29 +00:00 | Derek Anderson
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Exclusive RED LETTER DAY Clip and Q&A with Writer/Director Cameron Macgowan
2019/11/02 00:05:06 +00:00 | Derek Anderson
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Indie Memphis Film Festival 2019 Review: LITTLE JOE Brings Up Feelings of Paranoia in the Parent-Child Bond
2019/11/01 18:07:36 +00:00 | Emily von Seele
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BHFF 2019 Review: SPIRAL Goes Full Tilt on the Horrors of Undying Prejudice
2019/11/01 16:08:35 +00:00 | Sara Clements
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Halloween 2019: THE INNOCENTS (1961) and the Horrors of Repression
2019/10/31 23:11:14 +00:00 | Heather Wixson
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**UPDATED** Daily Dead’s 2019 Halloween Horrors TV Viewing Guide
2019/10/31 19:15:01 +00:00 | Heather Wixson
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Halloween 2019: Roger Corman’s Edgar Allan Poe Cycle Feels Like October
2019/10/30 23:46:28 +00:00 | Patrick Bromley
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Review Round-Up: THE LIGHTHOUSE, THE GALLOWS ACT II, and GREENER GRASS
2019/10/30 20:56:33 +00:00 | Heather Wixson
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Review: TERMINATOR: DARK FATE is a Mostly Thrilling Return to Form for the TERMINATOR Franchise
2019/10/30 16:55:39 +00:00 | Heather Wixson
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Review: DOCTOR SLEEP is an Exemplary Achievement in Genre Storytelling from Modern Master Mike Flanagan
2019/10/30 16:00:14 +00:00 | Heather Wixson
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Escape Psycho Circus 2019 Revamps Itself to Create the Ultimate Halloween Celebration in Southern California [Photo Gallery]
2019/10/30 15:19:47 +00:00 | Heather Wixson
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Halloween 2019: PLAN 9 FROM OUTER SPACE (1959) Blends Horror, Humor, and Heart to Make a Melting Pot of a Midnight Movie
2019/10/30 03:18:35 +00:00 | Derek Anderson
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