Daily Dead
Interview: FEAR STREET’s Julia Rehwald on Her Love of Horror Movies, Returning for 1666, and 1994’s Unforgettable Scene
2021/08/19 22:32:32 +00:00 | Jonathan James
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Looking Back at the Making of PIRANHA II: THE SPAWNING with Ovidio G. Assonitis
2021/08/19 21:27:08 +00:00 | Eugenio Ercolani
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Video Interview: Rebecca Hall Discusses Exploring Isolation and Grief for THE NIGHT HOUSE
2021/08/19 16:51:32 +00:00 | Heather Wixson
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Fantasia 2021 Review: YAKUZA PRINCESS is a Journey of Identity with Samurai Style
2021/08/19 02:01:21 +00:00 | Sara Clements
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Class of 1981: Andrzej Żuławski’s POSSESSION and Reflections on the Destruction of a Marriage
2021/08/18 21:18:00 +00:00 | Heather Wixson
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Interview: FEAR STREET’s Kiana Madeira on Working with Leigh Janiak, Future Movies, and the Importance of Diverse Stories
2021/08/18 20:27:23 +00:00 | Jonathan James
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Class of 1981: Celebrating the Small Moments that Form the Heart of MY BLOODY VALENTINE
2021/08/18 19:58:35 +00:00 | Emily von Seele
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Fantasia 2021 Review: THE RIGHTEOUS is a Slow-Burn of the Soul
2021/08/18 03:19:46 +00:00 | Caitlin Kennedy
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Class of 1981: Exploring the Captivating & Terrifying World of David Cronenberg’s SCANNERS
2021/08/17 22:51:53 +00:00 | Tamika Jones
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Interview: Writer/Director Neill Blomkamp Talks Venturing into the World of Horror for DEMONIC
2021/08/17 21:53:25 +00:00 | Heather Wixson
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Class of 1981: MS. 45 is a Socio-Religious, Gender-Centered Parable of Revenge and Redemption
2021/08/17 18:12:13 +00:00 | Eugenio Ercolani
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Fantasia 2021 Review: GLASSHOUSE is a Lilting Pandemic Horror Film
2021/08/17 01:18:49 +00:00 | Caitlin Kennedy
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[Class of 1981] A Long Night in Haddonfield: How HALLOWEEN II is One of Horror’s Best Sequels
2021/08/16 21:12:58 +00:00 | Ray Marshall
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Blood from a Stone: TALES FROM THE CRYPT’s BORDELLO OF BLOOD 25 Years Later with Director Gilbert Adler
2021/08/16 20:40:58 +00:00 | James Doherty
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Fantasia 2021 Review: The Surreal and All-Too-Real Horror of NIGHT OF THE LIVING DICKS
2021/08/16 19:12:44 +00:00 | Caitlin Kennedy
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