Daily Dead
Fantastic Fest 2021 Review: DEAD & BEAUTIFUL is a Refreshing Take on Vampires
2021/09/30 21:45:36 +00:00 | Emily von Seele
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Interview: Mike Flanagan and Trevor Macy Talk MIDNIGHT MASS (Part One)
2021/09/30 20:19:53 +00:00 | Heather Wixson
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Catalog From The Beyond: FREEJACK (1992)
2021/09/29 19:56:34 +00:00 | Bryan Christopher
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WELCOME TO THE BLUMHOUSE: Interview with BLACK AS NIGHT Director Maritte Lee Go
2021/09/29 16:46:28 +00:00 | Justina Bonilla
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Fantastic Fest 2021 Interview: Co-Writer/Director Jean Luc Herbulot Discusses SALOUM
2021/09/29 15:08:59 +00:00 | Heather Wixson
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Fantastic Fest 2021 Review: THE EXECUTION is a Brutal Hunt for an Elusive Killer
2021/09/28 16:40:36 +00:00 | Emily von Seele
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Fantastic Fest 2021 Review: GLASSHOUSE is a Moving and Dreamy Dystopian Story
2021/09/28 16:36:36 +00:00 | Emily von Seele
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Review: AMERICAN HORROR STORY: DOUBLE FEATURE – PART 1: RED TIDE is One of the Most Inventive, Scariest Chapters in the Infamous Anthology Series
2021/09/27 18:07:11 +00:00 | Zofia Wijaszka
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Fantastic Fest 2021 Review: HOMEBOUND is an Interesting Exploration of Familial Dynamics and Dread
2021/09/26 01:02:17 +00:00 | Emily von Seele
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Fantastic Fest 2021 Preview: 13 Movies We’re Keeping on Our Radar This Year
2021/09/22 22:48:43 +00:00 | Heather Wixson
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Q&A: Olivia Stephens Discusses Her New Graphic Novel ARTIE AND THE WOLF MOON
2021/09/21 20:22:00 +00:00 | Derek Anderson
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Review: Mike Flanagan’s MIDNIGHT MASS is a Stunning Achievement in Genre Storytelling
2021/09/20 07:01:20 +00:00 | Heather Wixson
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Drive-In Dust Offs: TALES FROM THE CRYPT (1972)
2021/09/18 16:06:42 +00:00 | Scott Drebit
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Interview: Bill Moseley Discusses PRISONERS OF THE GHOSTLAND [Part 2]
2021/09/17 20:49:26 +00:00 | Heather Wixson
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TIFF 2021 Review: Rob Savage’s DASHCAM is a Gore-Filled, but Insensitive Mad Ride
2021/09/17 18:31:59 +00:00 | Zofia Wijaszka
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